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Posts Tagged ‘opening up the hiddenness in life’

peacockToday we have a great example of how our dreams, in the course of a single night, can lead us through an awakening process. Jeane describes three dreams, beginning simply and then expanding to incorporate more and more energetic space within. As new energy is awakened, the challenge is to incorporate it within ourselves, without getting thrown off balance. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: My earliest dream is I’ve got my beading loom, and I’ve strung it and I’ve started working on what’s called a split-loom necklace. And the thing about a split-loom necklace is that you weave a pattern and then at the top of it you split it in two. If you’re making a necklace, one would go around one side and one would go around the other side, so you’re no longer doing a straight line like you do a belt.

I just seem to be spending a lot of time working on that design in the very first dream.

John: You’re establishing a new kind of dexterity. You’re familiarizing yourself with a new kind of dexterity, and you’re using the image of what you’re doing to indicate something else. In other words, there’s an energetic in terms of what you’re doing there, and what you’re indicating, you’re discovering, or opening up, or approaching, or recognizing, or realizing inside of you, which is reflected by this image your other [following] dreams will talk about.

Jeane: In the next dream, while I’m home in my hometown, and my folks still seem to have the department store there. At home I’ve made myself two beaded skirts, one of kind of jade-looking beads, and the other of black and white beads of different sizes; like some are round and some are a little different design.

But when I put the black and white skirt on, some of the beads haven’t been anchored well enough so they fall off on the floor, so I realize what I’m going to have to do is to go through and fix that. So I just hang the skirts up and then I have a little dressing room at the store where I also hang up some clothes that are of a little different design.

And then I’m kind of excited to be able to show these skirts to my family. But I can’t show them to them yet until I get the one fixed.

I go down to the store and my mother’s there, and she suddenly wants to show me a new jacket that she’s got that’s a very summery jacket like with yellow and white. It’s kind of very spring looking, and she thinks I might like that too, and I’m looking forward to showing her and a woman who shows up, whom I know, who is this woman who’s very stylish that used to lead seminars.

I know that I have some clothes hanging up in a dressing room, yet I haven’t really looked at them. I know that I want to get into a certain design of clothes, but I haven’t done that yet. And it’s like I’m just talking to the two women. That’s all I remember of the middle dream.

John: So from the first dream you’re learning to access and go into something different and new, and not only are you having to go into this, but you’re having to wear it, or live it. It’s a dimension of you that isn’t well established yet, isn’t put together, but you still have to wear it. You have no choice in the matter.

You now have to take this on. In other words, it’s your two skirts, and the green is kind of something that’s a skirt that you have that’s established in life. This is where you’re at, so to speak, in terms of a certain way of being. But now you have to go into something that has greater extremes to it, both black and white, black being a color of feminine depth, and white being a color of masculine expanse.

And you don’t handle that very well. In other words, because you are having to wear it and the beads are breaking to some degree.

So, the fact that you’ve taken this on means that it puts you into a different state and that different state involves you having to probe a part of you that has more of a masculine orientation, because it’s a white jacket that you now have to get, which has the ability to see things more directly on an inner level, more directly on an inner level with the yellow.

When you put the two dreams together you’re basically exploring, or have opened up, a part of you, where what you find yourself doing that is different than your usual approach, or the way that you’re familiar with and, as a consequence, first you’re playing with it, and then you’re having to wear it, and it’s another dimension like going through into another zone.

And in having to wear it you also are finding out that there are greater extremes to this, both up and down, both black and white, both masculine and feminine, and taking on this different kind of motif, things aren’t quite totally together yet, beads are breaking.

You have that at home as a base that you have to work with, but then as you probe out into this newfound awareness, causes you to probe on out with your feminine quality nature, and when you do you find yourself able to access a jacket – more masculine again – a white jacket, with the ability to see things or to open something up with an innerness about it with the yellow in it.

And so this is a dream portraying an unfoldment, or an overallness, that’s more or less being depicted. There’s no detail in it, other than this is what’s depicted. Let’s see if you have more detail. Well, it’s interesting. You’re opening up a masculine quality because it wouldn’t surprise me if you get detail.

Jeane: In the next dream, I seem to be working as a therapist again, and I have an office like almost in a daylight basement of a building, because I feel like it’s on the ground floor or lower, but it has light and there’s a secretary right outside my door as well as a few chairs where people come and sit.

I’m counseling someone in the office. It’s the end of the day almost or early evening, but for some reason I’m counseling them with the door open. So I see there are several other people waiting, and several of them are new people, but my session must run on overtime because the people leave.

Well, I get up and I pick up the forms that they’ve filled out, and I go down the hallway and must go to a Xerox machine or something. I don’t know what I did, but I did run into one of the people, a man, and I realized he works in the building so I tell him if he wants to he can come on down now.

I think he wants some counseling on a work issue. I’ve gone on down to my office, but he’s not there, but then the woman who’d left that had been waiting has come back, so I decide since she’s there I’ll go ahead and see her.

I see the man come and look in, and then I think he leaves, but I realize he works in the building so I can catch up with him the next day.

John: That’s the detail now! This opening up is best depicted in terms of how you’re then able to flow differently. And so usually you have to maintain certain boundary controls, and boundary controls are essential for a person to feel like that they’re not getting thrown askew in every which way that they can’t possibly handle.

So people develop these boundary controls. Well, what you’ve done going from a certain way of living and a certain way of following the element of life, what you’ve done is you’ve opened up something different. You’ve learned to do different beadwork, so to speak, as you were describing, or you found something more interesting in this whole process of the way energy can unfold.

It results in, of course, things breaking, collateral damage, but you work to resolve that because you have to wear it. You don’t have any choice in the matter and, as you’re inclined to wear it you come to grips with a better understanding of both the masculine and the feminine.

You’re able to go with your mother. You’re able to buy a jacket. It’s a white jacket with yellow in it, so you have a depth that can open up. But then what does this all mean?

Well, it means that in terms of your functionality you’re able to look at things in a more overall and inclusive way without having to seal things off behind doors. So this door that’s being opened is ordinarily considered like something that causes a violation of one’s self because it can break the continuity of a steadiness or a stability of your nature.

But in this particular case, you’re learning how to handle that. It’s not easy. Things can break, but you’re comfortable with the way things break that you can resolve it. In other words, instead of having a definite order to things, and a definition of things, you’re able to take on more. And in taking on more things, it’s harder to hold things in the container.

And so that which is in the outer room of your being can go flittering and fluttering off, but you are developing a greater depth, and a greater range in yourself, in that you can find that, or it doesn’t get totally lost. That you can hold two spaces at the same time, that you can do your counseling, or do your work in the room, and at the same time be aware of things outside of the room, and aware enough of an energetic connection to the things outside, that you can pick up those pieces, that you can maintain them within the peripheral.

You don’t have to have clear, distinct, dividing lines like you had before, you have both parts of you able to work. As the first image, you can do a greater, more interesting degree of beadwork. You can address the feminine side of you now better, and you can catch up with the masculine side of you because you are holding onto it in a more grounded and rooted way.

The dreams last night had us having to take on, and go into, and find a comfortability, and let go to the working with a type of energy that normally we consider too much. Or normally we set up parameters so that we’re not overwhelmed. This is a type of energy that has to do with a greater expansiveness of one’s self.

Now, there’s a spiritual concept: that you can’t grasp what is really important. You can’t grasp it in the overall, and yet you use an ability to peak around the corners of things in the outer, you know, in creation.

That is where the longing comes in, in the out-breath. The interval between the out-breath and the in-breath is the longing state, and in that longing state you can get a sense of the divine in the contractiveness and density of creation.

And in the expanse, there’s too much for you to grasp. The interval where the in-breath turns to the out-breath, that greater expanse, that is the place where you have the greater dimensions of you in the overall. To aspire to that place without having the grounding is impossible, in other words without catching up with the longing, or your part in creation.

However it is the more important part of the breath, because it opens up a whole degree of being able to shift, and to change, and to adjust to things differently.

However, to experience that without the grounding, without the rootedness, is not very functional because that leaves you off the ground. It’s inclined to cause you to get disoriented, to get too airy.

A person has all kinds of dilemmas when they get to racing out too much as a general rule. However, there comes a point when you have to be able to do that too. You can’t just limit yourself to the pain of things, meaning you’re in creation so you go into the density of yourself. You go into the density of yourself in order to go into the expanse at the same time. You use the density of yourself to create the blackboard effect, the rootedness, the ability to see, and to grasp, and to understand the expanse so that you don’t just get blown away.

You’re describing yourself doing this in just a general imaged way. You’re not looking at the ramifications, which I’m describing. And the reason why you tend not to do that is because things aren’t as easy to hold together in a container. Things can fall apart.

And the reason why a masculine doesn’t do that is because they get too top heavy. They get even more off the ground and, as a consequence, they set themselves up for what is known as a prideful fall.

 

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Jeane: I lost some of my dream, but it feels mostly like I was wandering around the markets and alleyways (in Egypt), looking for how something flowed. I was looking for which streets had a little more space so that goods could move down them more freely.

Then I see this scene where there’s a turnstile to exit an area, and the teacher we are traveling with comes up on the outside of the turnstile. You’re standing in front of me heading through the turnstile to leave the area, and the teacher comes up, facing you, with a grin on his face. He takes all of his American money out of his pockets and puts it in a box that’s at the turnstile, and he grins.

John: This dream is about a missing link, in terms of how something opens up. Things don’t open up just because we put our attention on a particular perspective. It can sometimes appear that things work that way, but because we’re playing in a world of shadows, it’s not a real manifestation. There’s an energetic behind it which is real, but what occurs in the outer is only reflective of that, so in some regard we’re still deceived.

Your dream portrays this situation as a question: How is it that something opens up and flows more freely? That’s the space you’re feeling. Within you, you’re able to see that something in the outer doesn’t flow when it’s caught up. For example, when you’re trying to force an outcome, then things can’t flow.

The role of a teacher is to hand things off so more and more can keep flowing. There was a woman in Germany who took people on spiritual-based journeys involving our Teacher. Later, our Teacher basically indicated that he couldn’t participate anymore, so it was handed off to her.

Well, she got caught up in the doingness of that, which really showed in her personal condition when we saw her next, so the Teacher just said she should stop doing it altogether. In other words, it can really be asking for trouble to start playing in a zone in which there’s a hiddenness piled on top of a hiddenness.

So, what’s the hiddenness in this dream? The idea that something more can happen, which is not obvious or apparent, as a result of something being released. Who releases these things? Well the Teacher would say that he’s not responsible for anything; if you find yourself in a position where you have a responsibility toward something, then something has been compromised.

So what you’re doing is you’re looking at something, but what you’re not quite seeing are the levels underneath that become possible when something has been taken on or absorbed. So it’s like you’re at a turning point, which showed as the turnstile opening up something so much more.

The changes that happen in life are the consequence of a human being being able to facilitate the things that are meant to be in Creation, i.e., to catch that drift so that something more can happen. Not the “doingness” of it, but just catching the drift. The doingness just keeps things blocked.

There are three levels beneath what your dream is showing you. You’re dealing with the first level, where something is released so that something more can open up. You’re starting to look at how magic works. That’s one of the techniques and tools of magic: for something to suddenly change and come into a different way of being, there has to be a release of something.

So what is it that’s meant, and able, to come into being? Well, if you’re really quiet with yourself you can feel it in your bones, so to speak. You don’t know the timing – it’s ancient. You just feel it in your bones. You sense it, in the present, in this slowed down space of Creation (physical life).

That doesn’t mean that it manifests here. What manifests here is the stuff that’s louder, that we put our attention upon, that we don’t know how to be calm about. That’s what manifests here. And all that tends to gobble up the moment-to-moment reality so that the other three levels can’t peek through.

You’re having a dream about something. You’re looking at a general scenario and the only hint you get of there being so much more is when you see the teacher, smiling at the turnstile, freeing himself up of burden. It’s interesting, isn’t it?

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