Posts Tagged ‘puppies in a dream’

i00998This dream image is a good example of the different lives within us, as the dreamer is with three different aspects of her self – seen as three people – and is trying to manage the situation even though they each have their own agenda. But what is important to see is that the specific agendas that different parts of us are focused on can prevent us from getting the knowledge we are seeking – even when it is right there in the room with us. This happens because where there is a personal agenda in one part of us, our higher parts can get disconnected from the universal guidance. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the first dream that I remember, it feels like I’m with two other young women my age, because I’m younger in the dream. And, initially, we’re doing something and this seems to be something that has to do with a pattern of breathing. And maybe even a little ritual about that. Something that we do before.

And we develop this little ritual, or whatever it is that we do, that’s also linked into our breathing. And it feels like, initially, that I initiate a relationship with one of the young women, but she rebuffs that after a short period of time.

And so all three of us go and we seem to be camping out in the living room of my parents. Although I think of it more of my mother’s house in the dream And the one that has kind of rebuffed have being in a relationship with either of us seems to have her own little place that she sleeps behind a screen.

The other woman I’m with, or the other young lady I’m with, in order to deal with the loneliness that she creates, or feels, goes out and gets a couple of puppies and creates a nest for them in the middle of the living room.

We’re all in the same room, but there’s a little bit more of a divider between us now. And we’re all continuing with the breathing pattern, although I seem to have a few doubts about it. So as we watch this pattern, and I kind of feel what’s going on, I feel like something’s not quite doing whatever I want it to have.

I look at the fact that there’s been a slight rebuff from one of them, I looked at the fact that the other one’s gone and gotten puppies, but now that it’s getting more towards morning, the puppies are getting active and they’re peeing on the floor. And she lets them up on the couch, and they’re going to pee on the couch, too.

So I’ve gotten something and I’m trying to clean up after them, and it’s like she didn’t have a clue that this was going to start occurring when the puppies woke up. So I’m getting her to help clean up, because she was a little in shock at all this, and try to get the puppies to stay on their bedding.

Then. in this process of cleaning up, and I’m looking and questioning whether this ritual we go through with how you breathe, or a pattern that you have before breathing, it’s working or not, I seem to look through one wall which becomes more just a veil – I can see through, and even go through.

And on the other side is like a Middle Eastern scene. There’s some women sitting on ground, and then there’s an older woman who seems to have some kind of knowledge. And it’s as though I cross through that veil for a minute and I go to where she is, as though I feel like she knows something. And I know her. At the same time we no longer speak the same language, but it feels as though I go to her where she’s sitting, then there’s something that she does, or has, that I’m familiar with. But then I need to come back because it’s like we no longer speak the same language.

John: So this other place that you go, that is kind of a new place that you can now see from the room, or whatever it is that’s part of your heritage, or mother’s house, this other place is where something very, very interesting and expansive has opened up – but when you go there you can’t speak the language anymore anymore, the memory is lost.

Wow, that’s a pretty deep dream. So you started out as three, and what you’re doing is you’re dealing with parts; the energetic is broken into components in terms of awakening, or coming to know or realize something. So it’s a dream in which all of the components are engaged in the process. But in terms of how they’re intertwined, and, how this intertwinement rises up to the next threshold of awakening, is kind of the subject at play here, because something now more needs to occur in terms of a change, or an awakening.

The key part of yourself, the loud part of yourself, the main part of yourself is holding what you think you know and understand and you’re holding it in the presence of an awareness that’s opened a place, so to speak, a presence, so to speak, that has opened for you, in relationship to being in your mother’s house.

So that’s kind of like, that’s where you’re at. I mean, that’s pretty good. You’re starting right there. Then you have another part of yourself that’s a little more independent, that goes around the veil, but still has enough sense to hold into the spaciality presence of the area. And then the other part that stays within proximity, but has to lean on something in order to to be comfortable; in other words it has the puppies and whatnot. And what it leans on, it’s being forced to have to look at, because what it’s leaning on, it’s realizing that there is an acting up that happens by having to lean on something, or be a bit dependent on something.

In other words, there’s still hold-out quality to where that part thinks that it needs something and, and that which thinks that it still needs, acts up; it pees and makes a mess of things, kind of discombobulates things.

So those three parts are catalytic, and that catalytic quality then sets in motion a change, whereby something more can be brought in. So initially when there’s something more brought in it’s like you go from that which is pretty advanced, and now is like a limitation. And that something more now needs to be grasped, or taken in. And suddenly you see through that, into a whole new area.

You’re still getting closer and closer to a one beingness, or a wholeness, but in that process, in that absolute stillness of that process, in which you are becoming this fourth, which is a state of completeness, which is going from the states of these other three qualities to a station, but you’re not able to make that yet a station because it’s still somewhat in a language, or a mannerism, even though, you know it’s more meaningful and much more, it still comes across in a way where it’s hard to grasp.

Now what you have to do when you hit a place like that inside of yourself is you have to stay the course. You don’t go back into noodling with things, you stay the course. And eventually that gets clear because you’re meant to be in this new space and it’s just a whole new thing that you have to contend with now, in terms of awakening.

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crackIf we think about a life in service to something higher – which is fundamental to religions and spiritual paths – we usually call up in our minds the selflessness of people such as Mother Teresa. But, as this dream points out, it doesn’t have to look like that at all. In this image we see that the privacy of the person is gone, that everything being done is seen, on an energetic level, and that there is a contract and responsibility in that relationship. Honoring that contract is what service to something higher is all about. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: The only thing I remember of my dreams was seeing something like a black panther run across my vision. Then I was awake for a lot of the night. And then I had this dream where you and I were living in England, or someplace. There were a few other people that were staying with us, and some young men, and we’d recently gotten a puppy.

In addition to the puppy I think at least one of the other people had a little dog, and then there was a third little dog that was around. At one point, I went and crawled out a window that led to a ledge that was outside, and then the ledge had like two levels, and you had gone out with me.

Then you crawled onto a part of the ledge that was hard to reach, and you said that you were feeling so desperate that the only thing that was keeping you going was the puppy. And you were thinking you had to go somewhere, or go travel. And I wondered if you wanted me to go with you, but you didn’t want me to – so I was a little depressed about that. So I go back in.

Then there’s a series of things that happen. When I first go back in I go and someone else has come that has some new puppies, so all the dogs are playing together in the living room. So I’ve gone in and I’m with them, and with the guys, and playing with the dogs and the puppies. One of the people that lives with us is going to go take the dogs for a walk.

Then I’m also looking for some laundry to do, and I go into a bathroom and I realize that the window is covered with these kind of blue papers. One of them has fallen apart and I realize I can see into the window of our neighbor’s place. They’re kind of trying to cover up how they can see into ours, but then I realize I’m in the wrong room. I’m in the laundry room instead of the bathroom, that I’m a level down further than I thought I was.

Then I go back into the living room again. And a couple of Middle Eastern relatives, women, come. They come and they must have been celebrating something, like one of the girls must have had a special birthday, or event, and she’s pressing some gifts upon this girl. And they were like an engraved, it almost looked like a platinum bracelet with engraved scenes on it, and two or three other things. And then the girl had also given a gift back to her mother, or whoever else was with them.

And I was kind of studying that out, looking at what had been engraved, or carved, or given. And then I looked around for you, and I went back out; there was someone else sitting where you had been – I didn’t know where you had gone to.

John: The image of the cat running across has to do with something that has been brought to your attention. It’s like a quick glimpse. It’s not like it’s something that’s sustainable. It’s more inflective. By sustainable, I mean it’s not sustainable at this point in time. It’s more inflective. It’s more of a coming through.

An image of a black cat is a change agent kind of thing that is intended and meant to be. It can create a reaction but, even if it does create a reaction, it doesn’t change the fact of what occurred.

And then, the out-on-the-ledge business and the puppy, what that has to do with is the recognition of a quality that goes back and takes something that was inflected as a mere glimpse, progresses it forward to where it is close, like a puppy, that it is at hand to be dealt with. And that to do this requires a certain resolve, and commitment, and one has to make that commitment or they start losing a certain connection.

Which is another way of saying that things have built up in a roundabout way to the point where the reflections in the outer, that had been something that one contended with indifferently, we’ll say, are now reflections that behind those reflections is something meaningful in which one has to tie, or connect, into in terms of their being.

That requires one to align, or to contend, with a certain side of themselves. To do so, because there is a real sadness that prevails when one carries on, or conducts themselves, in a way that keeps this sort of thing in a kind of pacified state.

What that image is about in terms of the laundry room, in terms of the public area, is that what is at hand has an effect that is like a mirroring that goes both ways, with inner to outer, and outer to inner. And that there comes a point to where one’s life is no longer a type of privacy, where you have to contend with the neurosis sides of this, that, or the other of one’s nature, like one would in a bathroom you know, taking care of business kind of thing.

There comes a point in time when you’re kind of out in the open in relationship to things that are all around you, you know visually, in other words, there’s no barriers. You see, they see, it all sees. And when it’s like that, then the quality of a natural knowingness of an openness is there to take in, to be able to behold.

The fact that one dreams every night, you could even correlate that to the laundry room kind of thing, because there is a visual that’s working both ways. That’s also an image that proceeds as a flow from both a kind of light rising down to touch light, or in other words something can see in. And then light rising up to touch light, which is a seeing without; and that’s meant to be kept open.

And when it’s open it enables things to be readily there, which is the image in which there’s a mother, or? It enables that which is kind of out of reach, ordinarily out of reach, in terms of a quality of coming through awareness, it enables that to just be there. It’s just naturally there.

So you put the whole thing together and what you have is you have kind of a shock effect that relates to the fact that there is something more going on than meets the eye: the black cat. Then there’s the having to contend with the idea of whether one is going to be able to meet the challenge of what is presented, and to do so is to relate to the friendly side of yourself, not to the sides of yourself that have to contend with this, and contend with that, in which there’s still some sort of sorting out to do.

You’re working with the inner friend, and to do that you have to completely commit. You have to go out on a ledge. You have to allow things to flow. Well, when you allow things to flow, that allowing of things to flow means that you have to be in a dynamic that is different than what you’re used to being in, in which you have to be like in the laundry room where you’re seen and also see. In other words, you don’t hide, you allow everything to affect you, to touch you.

And when it’s like that, that keeps you in connection to all parts of yourself that are in the wholeness. And the Middle Eastern shows the extending out quality, expansive taking in quality, is there – and, of course, that all works in cohesiveness. There is something about that that all fits, that all comes together. And so the sum total of all of that is your oneness, is the intended oneness on a soul level of your being.

So it starts off with a flicker, and goes from a flicker to a commitment, from a commitment to a surrender, and then from a surrender to an emptiness, to an overallness. Quite a progressed dream.

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