Posts Tagged ‘shooting in a dream’

myy6Here the dreamer sees men in strange flying objects shooting at one another. And the masculine, as an energetic principle, begins “off the ground,” while the feminine principle is grounded. So the imagery speaks of a battle that is being waged on the inner levels. And the feminine is meant to ground things in life that are sparked into existence by the masculine. Until something is grounded it stays an energetic, but the process of being human is to bring energies into the physical realms. So this is a process we all do, naturally, and the dream is showing the process as it struggles to find a resolution to any resistance. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the next dream, initially I’m in junior high and high school. I think I had a boyfriend in junior high, but at some point I left him and now it’s like high school or right after high school.

And I’ve gone to the beach with a boyfriend. I think it’s another boyfriend. We’re out on this kind of vast sand beach. He’s over to one side and I start looking up at the sky and, as I look up there, I notice a kind of strange flying object. And as it turned slightly I see that there’s a man with a gun, a rifle, that’s hanging out of the doorway of this strange flying object, and that it’s chasing another flying object that looks like a car that’s flying with another man with a rifle in it.

And meanwhile I go over in the sand and, at a distance from me in the sand, I actually have a dresser drawers. I go over and I open it up, and in one drawer instead of clothes maybe some bubblegum or something that had dropped at some point, so there are all these tiny, tiny ants are swarming the whole drawer. They almost seem to be in the air around you as you open it, so I shut it, and I realize I’m going to have to do something to clean out the whole dresser drawers or anything in them, and so I’ve gone back over to the side.

Meanwhile, I look up at the sky again, and the one person in the little faster flying vehicle that has fired at the other one. It’s like the other one got away from him, so suddenly he comes down and lands on the sand and grabs me. And then there’s somebody with him, and then I think he thinks that, you know, I can’t really help him at all because, you know, these are people that fly around in the sky and shoot at each other.

So he starts to leave but then he and somebody else they come back and they grab me, and they start looking at the back of first one of my hands and then the other. They were looking for some mark that denoted a certain genius or something, so I kind of joke with them that they’re looking at the wrong person here, but there was some sand covering the back of my hand so he starts brushing off the sand and he sees something there that he does find interesting. It might not have been what he was originally looking for, but he finds something else that’s interesting.

So I’m kind of a little agitated by this because of the feeling that maybe, you know, they’re going to try to take me somewhere, or they might take me with them, but I seem to walk away because then I find myself preoccupying again about how to clean the chest of drawers.

John: The dream is basically saying that there’s a part of the way that you continue to hold out, or feel yourself, that causes you then to look and direct your attention into the outer. And when you look and direct your attention in the outer, because the way your feeling yourself needs to be somehow or another corresponded to an aspect of something in a manifested way, you actually go away from the imprint of your being – which is an innerness, of which you still have the semblance, the echo.

But when you look out actually all of this being a continued stemming from the space of an attention upon how it is that you’re holding onto something deep down inside, and not letting go of, so as a consequence for that to live itself out it has you looking out to try to manifest it and, in doing that, you end up losing the light. You end up with the masculine principle of being off the ground, and that things are fighting and going at it. In other words, there is a dynamic, then, that is outside of yourself.

Now somehow you know that you need to pull this inside of yourself, so that that quality does come down, and take and look at yourself and look at you, but you have to take that in. It’s kind of like the woodcutter story. The woodcutter abandoned everything in terms of going into his hut and closing all of his shades inside the hut and just sitting and sitting quietly. Somehow or another he knew that in just sitting something more could happen.

And one day he started to notice that there was like a light coming out of him, and he thought well this is interesting. You know he’s sitting in this dark house with all the shades pulled and there’s a light coming out of him. So he is curious how this works, so he decides to partially open one of the shades and, as he peers out, animals sense the light, they come around, and as he peers out he noticed that the light diminishes.

So he goes back and he sits and he reaccesses this quality where he’s putting everything back into the heart again, and the light gets brighter. And so then he decides to open more shades and look out, and he even sees humans and other things now, but as soon as he sees them and as soon as he tries to bring those into focus, the light, the clarity, the inflection of an inner essence inside of himself, that’s reflected as a light, that’s portrayed as a type of light, diminishes again.

So finally he realizes that what’s important is this light and so he just goes and he sits. He doesn’t take and have to try to use his physical senses to try to make the light happen. The light doesn’t happen that way.

What this story portrays is that what he is actually doing is he is allowing everything to exist inside of his heart, and it can’t exist inside of his heart if he has projections outside of himself, if he’s looking with the senses and trying to come from what he has a sense of inside and throw it into the outer. That then dulls and diminishes and shorts the light out. So he realizes that when he sits and goes somewhere, and is somewhere else deep inside of himself, his ability to be really deep inside of himself has a whole lot to do with how he’s able to let everything come in. Everything sees itself. A consciousness emerges.

Everybody is doing it trying to sort things out with their senses and their mind. It’s in the allowing something to reside inside of yourself, and that’s where these little parables come up. In other words, to begin with you may come to see the outer as an illusion, and so instead of it being you and me, it’s just me. And then eventually you disappear yourself, and when you’ve done that, then it is just you – meaning something else – and then that something else inside of your heart held in a place without any story to it because you don’t have any story of yourself, that is where love is at, and that is where God is at.

You have the illusionary inflection of something that’s created. Everything in the outer is created for the benefit of something else to be able to have an experience of itself through it, and so if what is created, in other words if man goes out and tries to perceive everything that’s out there and take that in as if he can read through the illusion, he’s getting it backwards. Instead, man, who is a composite of everything that there is in every regard in the outer, he’s made out of all of that because he is that, if man can just then quit looking out and can instead put everything inside of himself – but he doesn’t put it inside of himself.

What happens is is he actually takes himself out of the equation so that he hears nothing about him that interferes, or interrupts, or disturbs and thus things can come to see themselves by existing inside of a human being. Otherwise they can’t see themselves. A human being having any kind of cognition of trying to do this, or to do that, that’s backwards. The right way of doing it is to get into an empty enough space so that everything is able to mirror by being able to exist inside of a heart of a human being. In other words, there is no “me” anymore. There’s just that, and that, then, is God. That’s another way, a closer way, of describing what God is.

And so in your dream, what you’re doing is you’re still carrying, you’re still projecting, something in terms of a way you want to feel yourself. And this way that you want to feel yourself then has to manifest, and that’s what manifestation is all about is to give you a means so that it can occur. And so when you have this and you don’t let go of it then you are still looking in terms of how to maximize; you’re looking into the outer, because you don’t realize that you can sit back and be holding all of it inside of yourself, that and everything else.

But you can only do that if you have an emptiness, but if you have something that is banging around as a doingness, as something that needs to be, then you start looking out, and then if you’re truthful to yourself, what you see is that that creates just nothing but stress. That’s just a conflict.

In other words, in your image of what you see, you see a type of strife, which means that you recognize, some part of you acknowledges in your higher self, that this tears you down. And your higher self seems to know, or have a bit of an echo towards, how it is done so that when you take a step back it’s as if the issues out there take a time out, and come and evaluate you in terms of something about you as a beingness that intonates something. In other words, because that other is an aliveness that’s been created in the illusion of things, and you carry something that’s like a faint memory where they can see the mark or this, that, or the other upon which there is a sense of something that can go more deeply, outside of having to go through the machinations of activity, of reactivity, of indulgence. That’s an awful interesting way to dream.

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Data Flow XXL SeriesHave you ever noticed how perfectly situated humans are between the expanse of the universe and the tiniest atom? Or pondered how they say the space between the molecules in our bodies is like the light-years of outer space? Well, it’s not a coincidence, humans are designed to bring the worlds of energy and matter together, through their processes, and over the billions of years that will contribute to the evolution of the universe itself and the merging together of above and below. We play the most important role in what will unfold. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in my first dream, I’m going with a whole bunch of people on some kind of a journey and we get into these… they almost look like little space-age cars. It’s almost like a little plastic car that’s put right around you. It’s mostly a bubble on the top like you see in the science fiction movies.

But there’s like so many of them; they’re all crowded, and they all go in this line zigzagging back and forth trying to get where we are, and you only move a few inches or a few feet at a time. In fact we kind of get bopped from one little vehicle into another. There’s about three of us, or three car fulls of us trying to get to where we’re going on our journey.

And it gets so crowded and dense at one point that it feels like it’s only by being kind of pushed from one car into another that you make some progress. I even wonder if we’re ever going to get there.

But we finally seem to cross some kind of a bridge area, just when you think you’re going to be stuck and not move at all, we arrived, and we’re there. So that was that.

John: Just when you think you’re going to get stuck, you arrive. What you’re doing is, my dream dreams the Brahma side of the theme last night. Your dream dreams the Vishnu side, the sustainer side.

The sustainer side has to do with how you’re working with it. In other words, the theme of the dreaming has to do with: how does the essence of stillness function? And it functions differently from the standpoint of Brahma, the creator, than it does from Vishnu, the sustainer.

As a Vishnu energy, it comes across in terms of how you bounce around and work with things in the outer. And so what you’re doing is you’re visualizing the energy that is coming from inner into outer. The way you’re sustaining it, of course, is because you’re in a condensed microcosm.

What you’re doing is you are contending with it, as if you’re having to deal with every bit of density that there is because things have been created, and so it’s kind of like being in a bumper car. That’s right, it’s like being in a bumper car. You bounce off of this, and bounce off of that. For any given thing that you look at in the outer there’s going to be the opposite correlation or corollary.

And so the dilemma that you have in terms of this ends positively in that you eventually work your way through that. That’s the Vishnu thing.

If you were to now dream the Shiva side of things, you would be taking and looking at what it’s like to reform, as a reformation now, to what’s important.

Jeane: My second dream was pretty violent. Okay, in my second dream, I wish I could remember more about the beginning of it, but I remember I’m going somewhere with some people, and I remember driving there. I come to a place where the road is suddenly sectioned off a little so that there’s cars coming from the left into the lane, and then on the right it’s divided into two because there’s a Santa Claus, a female Santa Claus for some reason, in the far right lane. And in the other lane it’s a little iffy. You can’t really see if you can go down it or not.

So I decide to actually go around the barrier a little bit and exit onto my street by going further to the right because it was vacant.

John: And your significance to the term Santa Claus is something you have to contend with. It’s creating a divide in other words.

Jeane: And so I go around to give the Santa Claus room, and then I get stopped by a traffic cop. He gives me a minor ticket, like $10, because I did that even though it was the considerate or wiser thing to do, so I’m really annoyed initially. I mean there was no other cars anywhere, so I was just annoyed.

Then I go on and I arrive at a house. There’s someone that feels like a sister energy as well as some other woman that seemed to be giving her a hard time, and suddenly the scene shifts and it feels like people are trying to shoot at me. And there’s one man who’s like an assassin, and he even has a dog, and the dog is pretty violent, and you feel like you can never get away from him because if he shoots at people he gets them.

But then I suddenly discover that the people that I thought were friendly in the house, even the woman who owns it, they’re trying to shoot me, too. And then, as they try to shoot me and I go out on the lawn, he suddenly comes to my defense and there’s like a helicopter that some people had landed on the roof and he shoots the helicopter and it breaks into a lot of pieces and falls down.

And I’m kind of relieved to suddenly realize that he or his dog weren’t going to get me because suddenly they’re killing the other people that are trying to kill me instead of my getting shot by everybody in existence. But I was kind of shocked that everybody was trying to kill me and then relieved when I realized this man I thought was the assassin rescues me, you know, and his dog doesn’t try to attack me, either, but it was a pretty violent dream. There was a lot of trying to get away and not feeling like anything was safe.

John: So, what you’re doing is, the thing that causes you to switch and divide, you’re turned around if you go down the one road, which means a direction that you shouldn’t be going down. But they both go the same way, but one way gets you in trouble in some fashion, you get stopped.

And then the other way leads to some violent episodes and things happening, helicopters getting shot down, and what is the end result of that?

So that’s the reformation. That’s the Shiva. The Shiva is often called the destroyer, but a lot of people like to use the word reformer. I kind of like to use the word destroyer, yet it’s a destroying of something for the benefit of something. And so, apparently, what’s being questioned in your dream, your higher self has a sense of a perspective that’s different than the way your functioning in the outer.

And so in the outer you’re taking and you’re considering certain things to be bothering you or, you know, dangerous or however you want to call that. Only the reformation comes when you find that that sort of thing’s your friend. I mean a dog represents the friendship, and you considered the dog to be violent, and the guy that you considered something that was coming after you, or attempting to harm you in some fashion, that guy is seen as the solution because you’re not going to get away from the helicopter.

So the helicopter is up above, and the problem is down below, so that which you see as a problem becomes the solution. It’s a strange solution, because the shooting down of a helicopter that protects you, what this does is it’s pulling the two forces together, an expansive and a contractive.

So, the helicopter represents the expansive. The forces that are bothering you and disturbing you and upsetting you on the ground represent the contractive, and you sit there and when you properly balance the essence of the two together you’re going to find a stillness.

In other words, the guy on the ground that had you all reactive in some sense is a contractive force, and you find out that that’s fine, that that’s okay, you can handle that. But you don’t find that out until it shoots down the helicopter, and the helicopter, an expansive force now, is trying to shoot you. Those two things happening with you standing in between, you represent the stillness in between and you have these two vibrations around you, and so when this sort of thing happens the resolution of that is a stillness – and that’s the reformer.

So the question you have of a dream like that is, in what capacity, how are you to carry this, how are you going to do this? So you have the symbolic images. How do you do this?

Jeane: I just started a third dream and I got woke up, but the essence of the third dream that I remember is I’ve gone into an office and there’s a judge there who calls me aside to talk to him, and there’s secretaries and people that work in the office also.

And it seems like he’s consulting on something and then I leave, and it has to do with me and my family. And then I come back and I can notice some people looking at me strangely, the secretaries, and I realize that what they want to ask is, they want to ask whether or not his being involved in the situation is going to create a conflict of interest in whatever the case is, because he’s involved in some kind of support of myself and my family.

But they’re kind of intimidated to ask it, and it’s like I’m just starting to go over to them and say something to them about how it would or would not be a conflict of interest – when the knock came on the door and I woke up.

John: A conflict of interest. Well, I think I have the first dream, you know if you’re doing a counting. I have the first dream, you have the second dream, you have the third dream, and most people don’t believe that there’s a fourth step. The fourth step has to do with – it’s new information, or it’s a new way.

And the new way is one of recusing one’s self because of a conflict of interest. So how do you have a conflict of interest? You have a conflict of interest in the outer, and you have a conflict of interest in the inner. How is your conflict of interest on the outer?

Well, that’s kind of self explanatory, right, because there’s a tie-in in some fashion that means that you can’t be impartial. How do you have a conflict of interest on the inner? Well, when you come to understand how all of this goes in a circle beginning and end are one and the same, you have a conflict of interest on the inner because you understand the expansive and contractive force.

And so, on the inner, you’re a stillness. You can’t choose between one and the other, and so the reason why this is new information, and the reason why this is another step is, even though we came into manifestation and took the choice of contraction, you know, we didn’t have to come into manifestation in the physical body. We could have taken the choice of expansion, more freedom and such out there in that sense, maybe even more levels to juggle, you know, without the density of the contraction – but that also takes away from the stillness because the stillness rides in between the two vibrations.

So for you to have a conflict of interest means that you have a conflict of interest in terms of the expansive energy, something from up above with a greater perspective is more expansive. In other words, you didn’t have a chance with the helicopter. I mean that was an energy that was going to blow out your contractive little space there on planet Earth.

And so it was one thing to worry about the contractive, and now you have to worry about the expansive. And so in giving you choice as to which to choose , the expansive or contractive, you can’t choose either, you have a conflict of interest and thus you stay where you need to stay, in the stillness. You don’t buy into the to and fro. That actually is what is called a fourth. You know, I remember the discussion being one, two, and three and I was having this the other day with someone and saying, yes, people say that there’s not a four, and using the Hindu system of Brahma, Vishnu, and Shiva, that’s just three. Is there a fourth? There doesn’t seem to be when it’s presented that way, but I feel that there’s a fourth because once in a great while we dream new information.

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