Posts Tagged ‘the bible’

divine-awakening-john-paul-polkThis dream is the second of the night for Jeane (see A New Level of Awareness), and it progresses her journey toward a greater access within. Part of this process is to be able to embody the higher energies she is accessing. Said another way, it’s not enough for a human to be connected to higher things, true service begins when we are able to bring those things into life, through our life. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the next dream, I seem to still be in this daylight basement apartment, except now I’m kind of laying on a narrower bed that’s right next to a wall, which is next to the door that comes in. And you’re standing down near the end. 

There might be some other people around, and you’re down near the end of the bed, near the doorway. I suddenly notice that there’s a blackberry bush at the end of the bed, and it has these really ripe blackberries on it, big blackberries. 

So I’m telling you about some that I can see, which I think you ought to eat, and then my eye is caught about the fact that I look over to the right near the end also, but over more towards the middle of the room, and there was an arbor there, just a small little wooden arbor, and I just thought that what was growing around it was a bush that would flower or something, but I suddenly notice that it’s actually like a Spanish olive tree, like it has green olives hanging on it that are just ripe now.

So I’m fascinated by the olives. I would like one of those. They’re just these green olives. I’m just amazed. I had thought that whatever was over there was just a bush or something, and here it’s growing these green olives.

John: And all of this is in the daylight basement apartment?

It’s a cute way of pointing out that there is a state inside, in which one of the traits about it is the condition of love isn’t there because it’s that quiet, it’s that removed, it’s that other.

The state of love is the vibration of an impact that hits between the inner and the outer, and there’s a tremendous receptivity and linkage and connection and aliveness of the two coming together, and that’s the condition and state of love. 

However, in between can be a state that you can feel is awakening, or is an aliveness. It’s like a motion coming into emotion, which hasn’t yet been carried into an actionable duty, in through the physical. In other words, it has something, it has a life or it has a something as a flicker of vibration that gets brought through. And you can be aware of that, and then if you’re a person that is able to carry this greater Wholeness inside of yourself, you naturally go around and you embody that into life.

And it’s something that is really alive right now, because it’s meant to be brought through. It’s like a blackberry – it’s something that when you start eating it, you can just go off and indulge in that.

But an olive is something that you take note of because it tweaks, but the taste and whatnot is not something you just gobble and gobble and gobble and gobble. It’s not necessarily a spice, either. It’s in-between with its saltiness and such, but it helps to create the distinction.

In other words, just seeing the blackberries in some zone as a vibration, that isn’t in keeping with, say, ordinary senses, that’s not necessarily three-dimensional yet, or 3-D vision. That’s still linear vision. That’s a this and a that.

What gives it the 3-D, that gives it the depth perception, just like a painting, what gives it the depth perception is that other astringent characteristic, which is the salty olive. And so you’re attempting to embody this sort of quality, and so what you’re doing is, is you’re reaching or touching a level of awareness that is only, if it were to be described in terms of chambers of the heart, it would be in the third and fourth type chamber of the heart because it’s not something that your physical attention dwells upon. 

It’s something that goes beyond the physical attention and has to do with what’s occurring on a whole other inner level, which is also there, and that you are able to have an attention upon that.

You have to put the two dreams together, and when you put the two dreams together, there’s a part of you that is trying to expand and have an awareness of a greater Wholeness but, as you see it, this could create a confusion for how it is that you currently are carrying yourself.

So, is this something that can be included or taken on? Well, you have your “yes, buts,” in that, but you don’t exactly say no, and so what you do is you work upon this in a whole other side of yourself, or another level of yourself, because you know that it’s there, and therefore you have to have an orientation or responsibility to that in terms of how you contain all of this in terms of your overall beingness.

The thing is yes, you are in the outer though and you do have the responsibilities of how it is that you maintain a particular persona in the outer. And yet you have this going on that you also have to figure out how to embody as a linkage.

And so your second dream attempts to tell you what that other thing is that you also have to embody as a linkage, as a type of substance inside of you, even though it’s not actually a type of substance that’s readily at hand in the outer, because you go back to the same place, the daylight basement.

In other words, a place neither on the physical level, nor deep within – this in-between state. You go back to that, and you then give yourself additional information that when you really truly take on this particular quality of a very, very subtle note, that what it does is it puts you into an awareness that first of all has something on the other side, then it creates the image of it in terms of its greater viability with the olive bush, which gives it the three dimensions just like a painting.

You can have a picture and the picture is flat, and then you can have a painting and the artist who is shading and whatnot can give it the three-dimensional quality, and the blackberries can just be black-and-white in terms of inside of you, in terms of there’s this as a pulling, and then there’s the that in the outer, and it’s the olives that give you the ability to figure out how to kind of integrate it, or tweak it to create the curiosity. Well, I call it a type of depth perception where it’s more than what it appears, just like when you look at a painting.

It can have this whole sense of more than what it appears built right into it, somehow communicated by the artist right into the artwork and you’re doing this in terms of that level that you’re able to come to grips with.

What’s interesting is how you do that, and what’s really, really interesting is how does one take and clearly differentiate this way of doing things? Essentially the same thing as I’m doing, but it certainly doesn’t sound like it because I do this from kind of a masculine mannerism, and you’re doing it from an overallness, a maintaining of a state.

I’m trying to cause something to be readily visible. You’re trying to cause something to be built into the overallness of the environment, even though it’s not within the realm of the senses. At least it’s in the overallness of the environment that you’re able to perceive.

When you’re able to perceive that, you’re reaching a level of acuity, this third and fourth chamber of the heart, that’s where the co-creator level comes in, because the first and the second chamber of the heart is just a means to try to get to a point where you can have this kind of access. 

Your longings in the first level get the best of you, as you flicker back and forth in a bewilderedness, and your energeticness, which can punch through things but it’s still and still like in the training-wheel cycle of a bike, falling down all the time, learning through that process of back and forthism, but at least it’s carrying some sort of energetic expression into life.

That’s the second chamber, and then the third chamber steps back from both of those. The first and second are on levels that other people can kind of follow and monitor, but when you step back in the third and fourth, you’re in a place that is fairly invisible, as a general rule.

That’s why even in the Bible the images of the burning bush and stuff like that, or in your particular case the blackberry bush and the olive bush. And the olive bush also symbolizes something more in that in ancientness this is a Biblical mysticism, the olive bush is the symbol for peace.

What you need to try to do is not lose track of the vibration of your dream, so that you see if you can sense how this looks or comes about, because the feminine carries more of this overallness back. It’s kind of an in-breath. It carries it back into a Wholeness to where it goes all the way to the state where there’s that interval of in-breath coming into out-breath.

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letting-go-of-struggleIn dream analysis, the ideas portrayed by the images can often be understood by a person’s relationship to the action. Here, Jeane is in a situation that could be scary, but she doesn’t resist it, and she doesn’t react to it. Instead, she stays within her self – she stays fairly neutral to the action. Such a state of acceptance is important to flowing with life, rather than beings at odds with it. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I have this sensation that I’m dreaming a lot, but then it’s so hard to pull anything out.

I remember one scene: I’m in an apartment and there’s a woman and a man and some other people that maybe come through, and I like them, but I realize they’re actually part of a gang that’s maybe going to rip me off or something.

They have this little device that when they plug it in, I think it will knock people unconscious or it’ll do something, it’ll release something. Well, I don’t want them to realize that I’m on to it, and so I wait until they’ve wandered out of the room or something, and I either unplug or hide the device.

And then when the woman comes in at one point, I even take something and kind of tie her up and hide her behind the couch, so that maybe another member of her gang doesn’t notice I’ve done that.

Now I know that if they can’t knock any of us in the apartment unconscious, then they can’t really rob us or whatever they were planning on doing. But then I realize I also have another dilemma. I don’t really want them to be punished or anything; I just didn’t want them to succeed with their plan to knock us all out, or rob us, or whatever they were going to do.

But I kind of like them, or I like her, anyway, so it’s like now I have this dilemma of, I really don’t want to see her get arrested and taken off, but I also just don’t want their plan to go forward. It’s mostly like a sensation feeling that I remember from that.

John: What you’re being compelled to do, and actually it’s interesting how you’re making this choice too, that even though you are thrown into a situation in which something is a little backwards, and awkward, energetically, you don’t really totally reject it. You kind of have a way of embracing it.

What you’re doing is you’re taking an overall scenario, and you’re putting yourself in the overall scenario, in that you have energy that’s really slowed down, or contracted, and then you have kind of an epiphany of vibration in which you have choices.

Now, usually when you’re feeling compressed, or restrained, it hurts the heart, and you don’t like it, and you cringe, shut down a little. But in your particular case, you’re still staying vibrant. In other words, you’re doing what needs to be done in the instance of there being an altered vibrational sensation that hurts, or can compact, in some fashion, and you’re able to have some fluidity.

You’re able to function in some degree, because instead of it being a type of sadness, or pain, or remorse where you shut down, you actually kind of appreciate, or you kind of have an empathy, or respect for the situation.

In other words, you say in the dream that you don’t wish them ill will, so you’re not issuing yourself any ill will when you find yourself compacted and contracted and unable to be in a particular other dimension of greater openness, or speed, or freedom.

It’s good that you have arrived at that because that’s a very accepting state, and it’s a state that you have to have to be able to make the journey in life, because that’s precisely what happens when you’re in the physical body and you’re overwhelmed by the circumstances and the variables around you. You find yourself just coping.

And in the coping you could have a fit. You could get reactive, and you could say, why me?, this shouldn’t be, and throw a regular hissy fit. or you could just realize that it’s the way that it is. You don’t wish any ill will upon yourself, or anything else that is you. You’re okay with it.

It may not have the flexibility and the freedom, but you cope with it, you work with it, which means that when you have that kind of acceptance and approach, you have a good chance of being able to reach and beckon in energies from the higher self, or from the other side, or however you would say that, which can kind of alleviate, or work to enhance, or embrace, or to spark things.

The dreams last night had to do with the contrast between two states of sensation flow. You had a setting that was set in the overall, and the reason why I say your setting was set in the overall is you’re not dwelling on the specifics. You’re dealing with it in an overall way.

In other words, if you were dwelling on the specifics, each choice, and each manner of expression that you would make, would be weighed and carried, as if a door opened and closed in terms of the heart, which means that a part of you doesn’t accept something that’s happening, and another part of you totally embraces something – if it will open up.

And so you’re swinging back and forth, and back and forth, and that’s kind of a state in which there’s something like you still have the illusion of there being like a good or a bad, that this is not as good.

In your particular case, you’re closer to neutral, you’re closer to allowing yourself to be turned either this way, or that way kind of thing, because you’re not issuing any ill will. You’re not really fighting the situation. You’re just properly coping, and holding, and keeping the counsel of your own energy and connection working as best you can, as best that you’re connected to it. You deal with it.

This is not a scene where you’re running, or trying to hide, or anything like that. Yeah, you might be tying something up, and yes you might have a little bit of concern about how you can recognize that there’s a way of taking it so that it can zap you, or can hurt you, but by and large you’re not going through the cringing in that that hits the heart, that leaves scars on the heart, when you fight the illusion that way.

Yours does it in an overall way. You’re working with the aspect of an energetic that exists in two states, one state where things are slower, and another state where things are more conscious, or more speeded up. By more conscious actually you have accepted, or a part of you has kind of adopted, the fact that this all functions and works in relationship to the greater Whole, or otherwise if you didn’t really believe that, you would be taking a different approach, you wouldn’t like it, you would be rejecting it, you would be thinking ill of it as if it is something foreign. But no, there’s something about that, as awkward as it is in terms of how it strikes you, there’s something about that that you like.

Well, that’s probably why you’re able to accept raw energy too, because raw energy, in and of itself, if it does something that completely distorts or disturbs your equanimity and way of perceiving and being, in relationship to what you feel might be important in life, that you’ve defined to be important in life, and segregate as important to life, if you’ve made that kind of a distinction, then the raw energy would be something that you would have to reject.

But if you realized that it all functions in kind of a catalytic, greater, overall Whole, which you’re part of, you can find something neat about that too. Yes, it causes you to have to cope differently, but so be it.

It’s a very balanced kind of dream, accepting kind of dream. It’s not stabbing itself, it’s not hurting itself, it’s kind of accepting what is, it’s working with it. You’re not taking on huge moods or anything like that, which would then create big veils, and a whole malaise or qualm, which would be a heavy overtone that would lay over something, that would set off a sensation of kind of a doom and gloom.

You don’t have any of that in the dream, and so it’s kind of like, in terms of what you’re compelled to face and confront, you’re saying, that’s okay, I’m okay with it, and that’s unusual, because most people can be presented with things in which at some particular point they’ll react.

The best story in the Bible told about it is Job, in which he keeps accepting and accepting and accepting and accepting, and then all of a sudden he reaches his breaking point, and he acts like that whatever is happening is just not something that he can carry or handle or accept anymore, and he reacts, and he snaps.

And of course they portray this as a challenge to say, okay, can he be the faithful surrendered? And he does reach a point where the journey is too much for him, in terms of what he’s put through. But for the longest time he keeps saying whatever is, is, I’ll take it, I’ll take it, I’ll take it, and take it with the right attitude.

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Divine EnergyIn the world today, it is clear that a balance needs to be regained between the masculine and feminine genders. What is less understood is the same need for balance, between these two fundamental energetic principles, within ourselves. In John’s dream, he see the dilemma and challenge of his feminine energy embracing the Wholeness, rather than seeking an easier way out via escape or rescue. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: I dreamed the imbalance of the feminine, in terms of its process, and how the imbalance keeps the masculine imbalanced.

In other words, it’s like the feminine is actually creation, and the masculine brings down an energetic that needs to find a greater Wholeness and be okay in creation, which has all of these reflections and imbalances, which then can disturb or effect the feminine.

And to the degree that effect estranges the feminine, because of power and control, or however it is awry, as long as the feminine is not able to adopt, or take it on, in a completeness and in a Wholeness, then there is always a quality of something being wrong, that is assumed. Or there is always something that is one way, and something else that is another way.

And as long as the feminine approaches and feels that it is like that, then it never does catch up with the masculine. And it’s like the masculine power and control, or that quality that sets things ajar, and so it never does catch up with the Wholeness of itself.

In my dream, I look at the two extremes of that. The dream may have been somewhat influenced by the movie we watched, and it was also influenced by what the teacher said, in terms of a story out of the Bible, in which you take each part as if it were a dream. And you look at each component as part of yourself and determine what that means in a higher sense and in a higher way, which is a very correct way of looking at it because everything that occurs, every little story that occurs, speaks to something more.

I’m addressing an energetic to begin with, and we’ll see if it makes sense because I see the feminine nature within as seeking to be free, but not knowing what freedom is. A feminine nature is both catatonic, which leads to a desperation to be free, yet it’s subjugated and under the control of the forces of power and control.

As I see this inside myself I realize that setting it free is not possible when it carries such a desperate plight. In other words, when it’s reacting like that, trying to push off and fight and react like that, it can’t get free that way either.

The feminine nature needs to relax into the situation and know it can absorb anything that happens or affects it, which basically means it can absorb anything in life. To do so is to neutralize the outrage it carries within.

The feminine side must learn to be okay with the conditions of the surrounding environment, and in doing so she is able to absorb the negative conditions – which are an illusion. In other words, if she keeps saying something is better than this, or more secure than that, that keeps her weakened into thinking that she can only be that much.

There’s a part of the feminine nature that thinks it can escape from this. In other words, there’s a part that can be in chains, and then there’s another part that can have broken the chains and be running to get away and looking for something to rescue it from its plight, which is also not accepting responsibility, because it’s running away from it.

And I can see that for it to be rescued it must assume that everything is okay. It must be in a state where nothing can affect it, that everything is okay, and in doing so shift herself away from how something can supposedly keep her limited, or cause fear and reaction, and in doing this access her ability to take on everything that is.

In other words, if you visualize the state that you’re captured in life, either in chains subject to the powers and controls that be, or that you’re running away from the powers and controls that be trying to break free, both conditions lack acceptance. Both conditions act as if there is something that can overpower or control you.

And if the feminine is everything in creation, why is she raging in some part of herself? It is this lack of acceptance, no matter how dire conditions in the outer are shaped or appear for her, it is keeping her in chains. On the other hand, if she breaks free from the chains, thinking she can get away, it is a giving up of herself to the idea, she develops a weakened will, thinking she can be rescued or can find safety by running away, or getting rescued.

And that keeps the mess going, too, because she doesn’t fully take on that, she still acts as if she can move away from that, and therefore she’s not able to be her full Wholeness there either.

I’m seeing these two aspects, by seeing first that there is a woman who is tied up, and she can’t accept her plight, and this has her freaked out, and therefore catatonic and unable to just surrender to whatever might be.

And I see another woman, who is running away from what is a perceived danger, quick to grab whatever she thinks might lead to her sense of freedom away from something, or giving her the sense that she is rescued. And any idea of rescuing, or that which has the vibration of rescuing, she surrenders herself to that as opposed to her deeper self.

As a result, in both instances,the feminine isn’t rescuing herself. She’s not taking on the Whole. She is not absorbing things. She is acting like there’s something that imposes things upon her, which creates a problem for her. She is not accepting, like I said earlier, the responsibility for the plight in either of these instances, because when tied up she is catatonic. And when she is free of those chains, if there is an outside rescuer – which she’s inclined to think – then because she has broken free from one thing so obviously there’s a rescued state, she’s ready to give up her sense of self to that. So she never does take on the Whole.

If the feminine will realize that nothing has any power or control over who she is, in a totality, she will be able to connect the ungrounded masculine trait that comes into creation. She will be able to connect it with the physical aspect that is created as a picture that reflects the Whole. She will be able to pull those two together as opposed to them being separate or apart.

But if she continues to act as if she is being subjugated, or even that she has a right to try to escape from a plight around her, as if that’s possible, she loses; she leaves the masculine side of herself disconnected. Life then is unable to shift or evolve.

When circumstances are like that, the only thing one can do is sit in an inner place that is without any action, which simply observes how these parts of one’s self volley about, and keep one in either one extreme or another.

One stage can be like a type of righteousness and rage, and the other the idea that you can manipulate the variables to the point where you can find a way out that’s conditional. And every effort to do that, if you look at it, you just go from one mannerism to another, trying to delude yourself, and nothing in life is able to change, evolve, or shift.

So you convince yourself as you alter or find a type of way out, from time to time, that the appearances are actually shifting or changing. But when you see the outer appearances shifting and changing, you breathe a sigh of relief as if that is actually what has happened. And then get lazy and don’t accept the greater Whole.

And so you have this false sense of security, and disillusioned expectation, and you give up to that which is conditional. The world suffers because the will does not access the Wholeness and Oneness of creation.

The story in the Bible in which the father [Abraham] took his son to be sacrificed like a lamb, is an example of being able to let go within, to such a degree, that there is nothing for the ego to fight, against or for.

That is the need that exists. I must reflect, or present, or be in a global solution, and if I am unable to do this from within, there is no healing, there is no overall balance, and there is no Oneness.

You can also say that there is a deeper meaning in that to abide by a consciousness that doesn’t declare war on any part of itself, nor is devolved, meaning a stepping back based upon fear and ignorance, when that’s removed the coming together is natural.

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