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Posts Tagged ‘the in-breath and the out-breath in dreaming’

pic-fractal-9A spiritual journey can be looked at in this way: we move our center of attention from our lower self, i.e., our physical focus, with eating, procreation, and life maintenance, to our higher self, where we begin to access the connections, knowings, and enhancements that are energetically available to us. It is an incremental process that begins with the desire to fulfill the design and promise of our human incarnation. We can see how everything in the natural world has a role to play in the life of the planet; it can be no different for the human, except we also have a role within the unfolding of the universe. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: My dream dealt with the sensation of deprivation. And this is the condition in which you deem that something you feel to be important is missing.

If a monitor would have been attached to me, what it would have revealed would have been reflectively significant. The feeling that I was not receiving what I dreamed to be important resulted in a mannerism to some sensation, thus I made it seem real. I shortened my breath. In doing this, I deprived myself of the usual oxygen to the system. This created the dream sensation of being deprived. I could report this dream and its condition as a parallel reflection of that which is going on in my environment, and that also has an effect upon me externally.

In this way, a human being is a creature of his outer reflective reality. A human being mirrors this condition, in other words, reflects this condition. Actually you mirror the truth outside of this, but you reflect the condition, a condition that he created when the outer unfoldment swept up his consciousness. In the same vernacular, a human being is able to reach the depths of their beingness to exude, or access, an energetic higher-self knowingness. This is the mirror, unto the outer environment, in which the inner flow’s focus and attention is attentive to the inner spirit energy flow.

In other words, this again removes you from the densities of the senses in terms of objects. This occurs when an inner depth of beingness, called the higher-self plane, accesses the awakened inner state and is no longer under the dense outer clutches of the collective outer consciousness. In other words, the object is to get outside of a state in which the spirit energy is trapped in matter and asleep. And when it’s like that, that’s when you see the objects in matter and stuff that’s trapped. You see that instead.

What I am describing infers a process in which a human being that is inextricably intertwined with the environment is so much more when the higher self awakens. Until then, there is mayhem, and stress, and outer bewilderment – both actual and imagined. The human being cannot experience the hidden inner essence while in this state. The reflective amnesia is simulated and the breath is the witness.

In other words, you get short and then you could deprive yourself of oxygen. In other words, it’s not all there. The spirit energy is choked off. Similarly, when a human being believes everything is wonderful, in their outer life, they reflect this to be so with the breath. Often times this isn’t the case and, if the human being had been unconscious, they would know that by coming in touch with the awakened spirit energy of the universal soul.

When things are given to a person, for example, where things seem to work out, where the teacher smiles because things are given to them, that’s this condition in which you don’t even have the echo of what is wrong and, therefore, you can be in this unconscious state in which it appears to work out.

The point I am making is that a human being is a creature of his conscious and unconscious environment, and it can change when the inner spirit energy is awakened simultaneously upon the inner into outer level. To be awakened is to awaken the higher self and be a force of nature capable, as the crown of creation, to change the story. This isn’t possible if the person is caught up in the magnetic densities of the collective outer.

A human being has to become empty in order to access the inner essence and its innocent nothingness. This is not easy to do because of the magnetic gravity effect that predominates over creation. This density effect causes a collective atmosphere to predominate. The magnetic gravity is what causes matter to constellate and duality to appear to exist. Nothing would exist in creation, i.e. planet Earth, if there was no atmosphere, a direct result of gravity. The empty space is a universe in which the prevailing space is limitless and experienced as a nothingness.

This empty space is alive, and we are that, except in manifestation where we are under the spell and in the clutches of the illusion of matter – a condition caused when gravity predominates. Matter is a density in which the spirit energy is unconsciously imbedded, thereby causing reflective appearances to predominate outwardly.

To live in this state is to only be conscious of the lower self and not have direct access. I mean, it’s not only because you always have some degree of higher self, but it’s primarily conscious of the lower self,  and thereby lacking the access to the essence of one’s being, i.e. the higher self. So that’s the first dream.

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creating-matter-from-lightIt’s important for the universe that humans be born into physical bodies, because we are designed to act as agents of the purposes of creation. As part of that role, we are able to connect to higher energies and bring them through, from the energy worlds into the physical world. What that process can look like is when a new idea comes to someone and they create something never seen before. We know we are all capable of that. But what unites us with higher purpose is when we do such processes on behalf of creation, rather than for the betterment of ourselves. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: In the next little dream, it’s like I’ve gone and I’ve taken an exam, and I’ve left, but we’re coming back to get our scores. And the teacher says something about the fact that there might have been something wrong with my exam. There was a question about it that the person who scored the exam had.

They send the exams off to be scored, and she wasn’t sure what the outcome was. So I have a little trepidation, and then she hands me my exam and I see that the problem with the exam was that I had shown that when I did the session, from which we answered the questions, that I have recorded it. So I had a recorder attached to the material and, apparently, that was not common.

So they weren’t sure if I was going to have to retake the exam or whatever, but whoever scored it on the other end decided that was okay and gave me an A+. It just wasn’t the usual way it’s done.

John: So now you created an image that responded, that’s in response, to what was awkward about the prior dream. In other words, in this dream, you have both parts again.

You have the part that has to take and go through the motions of things, that’s in the outer, that gets caught in whatever it observes in the outer and, you know, it is having to untwine, and take a test, and go through all of that.

And then you have the part that gets it, that recognizes that underneath this fabric of an outer is a vibration or something, a spirit energy force, that you cannot put down necessarily in words, that’s imbedded as if it’s recorded. And it permeates throughout the space as the innerness behind it all – and you have accessed that.

In other words, that’s what’s meant by the recording. And so when you have that, there’s no way you can be denied entrance. In other words, this is what it takes to go through the door, is you have to have access to this energetic. It’s a sensation of going through a corridor, or through a door. That’s the sensation way of saying it, you know, as if you’re coming from this state of perdition into a whole new world of spirit energy.

However, even though it can be said as having that kind of a directional effect, you can also relate it as having the opposite directional effect. It’s one and the same, it’s just another way of saying it because you have the in-breath and the out-breath, and it takes the two of them to make a whole. So you can do it with the in-breath or the out-breath way of portraying it.

You’re also bringing something through, in need of bringing something through. In other words, in terms of it working from top down instead of going through the door, which means you’ve gotten it, that’s almost like missing a beat there in terms of the top down. What awakens from the top down is the sight of what is meaningful, in other words, about the tax, about the way things are, they just are the way they are. You don’t have to explain it or make it into something. You can let it be as that.

In the consciousness is the awakened process, that fish represent a symbolism of consciousness, so within the flow is the consciousness. And so you’re second dream kind of takes and builds off of the first dream.

What was that final punch line in the second dream?

Jeane: Oh, I got an A+.

John: Yeah, you got an A+ because you recognize the spirit energy behind it all. And so how can they judge you in terms of appearances, because you went behind it all? You were in sync with the flow, the spirit energy flow coming into matter that changed the world.

So, to begin with, in the first dream you were taken in to an involvement and a shaping process of which at a real, real deep depth you’re shaping it, but you hadn’t awakened and caught up with it. And so everything was like a bit strange to you in terms of how do you compute the tax to this? There was some other little thing there that you were supposed to be able to understand and you couldn’t understand it. You couldn’t see.

The fish looked like piranha to you, as opposed to an awakened consciousness, and so it’s kind of like you’re out of place, but you don’t fit in manifestation per se, you know, in its dense way, because you recognize that there’s more to just the skin of things, or the reflection of things. You have seen something that goes beyond skin deep.

And so the first dream portrays the outer overall feminine characteristic as it exists in a state of connection, but not knowingness. And the next dream portrays how there is suddenly the access to the knowingness of the spirit energy, as it exists behind matter, so that when you are responding in matter you’re actually responding, you’re actually bringing through the spirit energy that is intended.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Responding in Matter

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energy_rDepending on the moment, we can have different natures in us. Sometimes we are careful and rational and weigh all the possibilities. Other times we can be impetuous and indulgent and find ourselves in a situation we didn’t want to be in. It can be this way energetically as well, where we can connect to energies that we really aren’t ready to process. One way to alleviate that issue is to be connected through the heart, which is a deeper alignment that will help us flow with the energetic shifts. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Well, in my first dream, I’m a man. I seem a little focused on I have to get to the airport to catch a plane at some point, and there’s another man that’s kind of following me around. And I get the idea that he’s trying to set me up in some way, but I don’t quite figure it out until I’m sitting for a minute in a room and he comes in.

It’s almost like he makes advances to me. Then I realize, I kind of look at him, and I go over and I open up the door and first there’s a little boy there, and then there’s a sheriff, and I realize that if I’d responded to his advances it all would have been a setup to get arrested.

So I leave the room because I’ve obviously kind of avoided that trap, or the other traps I felt he was trying to set for me in the dream. Before going to the airport I see him, like he’s in a cab, and this time I go over to him as though I’m setting him up, which kind of terrifies him and he drives off or something.

So it’s almost like I’ve found out you can turn the tables if people are doing that to you, or something like that. That’s the first part of the dream.

John: So what you’re doing is you’re trying to look at what it’s like to have an orientation in terms of an inner coming into the outer. That’s kind of a motif of the masculine. It’s always an out-breath coming down trying to touch something in creation.

A motif of the feminine is something that is complete, in and of itself, having to open up. So you’re starting off with this orientation of something coming down, or of a masculine orientation, and you’re realizing that the possibilities, the expanse of something like that, is outside of the parameters of what you can cope with.

That’s why if you respond to something that’s pitched at you, and the masculine is always like pitching something, bringing something through, pitching something, you respond to what is pitched at you, you find that you end up in one setup after another setup.

And what you’re doing is there are actually two octaves: there’s the inner, and the outer; there’s the masculine, and the feminine. But you’re looking at the expansive component, and the masculine, in its attempt to understand everything, is always thinking that it’s approaching something in an expansive component way, but it doesn’t have the faculties to really be able to take on the expanse, not in terms of its physical faculties.

And you come to realize that it has to be done in some other way, and you see yourself able to not fall for the setup and to conduct yourself in a whole other way, and that in doing so, this blows the cover off of any kind of qualm or mannerism that exists as a focus and attention that is geared to such an orientation.

What you’ve actually done is you’ve touched the heart, and when you touch the heart it puts you into the overallness to such a degree that the typical way of perceiving things, in terms of the faculties that are at your disposal, that gets overrun because that’s so limited. Now you don’t know that you’re touching the heart because you’re not really feeling the depth of that exuding. You’re not portraying that you’re experiencing the depth of that exuding in your being, yet at the same time something deeper inside of you knows that this is how to be when you’re coping in a expansive way.

But the only part of yourself that can be expansive, that could stretch out, that can try to look at things, that could try to figure things out, is the part of you that orients through the breath/heart. They work in cohesion, and that when you have the heart you have the breath, generally, naturally there, because the breath just automatically comes to whatever it is. It comes to an orientation that is coming out of the heart as the heart opens up.

Of course when you have the mind there, the breath does the same thing. It’s shallower and is in accordance with the linearity of a limited frame of reference.

So your dream is looking at it from one perspective. I attempt to dream both perspectives. You’re going at it one step at a time. You’re dreaming one side of it. You’re dreaming how the enlivenment, or perceived enlivenment, of the expansive masculine is nothing but a setup.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: The Setup

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