Substance of Thought

Nothing can be undone. That sounds serious, but what is meant by it is that everything created exists, energetically, and, in a sense, everything is different from then on. This is as true for an idle thought as it is for a profound intention – although the latter may have much more energy associated with it. And that tells us something else: when we want an idea to grow into a reality, we must constantly feed it, energetically, until it can manifest in the world as an amalgamation of material forms. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Now understanding the time, the out-breath time element, which I came down here understanding, but didn’t understand the spaciousness. And then the spaciousness opened as follows. 

First of all, I go into, and re-familiarize myself, knowing full well what time is. And so I go back into the time orb of things and lay out the time orb of things as the best way that I know how to get to the point where I can try to flip it – to show what this then needs to be in terms of spaciousness. 

So, in the meditation dream, what has changed is the relationship that I have to what is happening within. In prior dreams there is a component of the dream world that I’m able to notice directly. That component is the thought; in other words, it’s in the out-breath, that’s why there is a movement to something that is coming through. 

In the prior dreams, I am coming to know thoughts as time. I have been able to perceive the substance of the thought, and its effect upon the breath, by it being in an overallness, or intertwined overallness. Or, you might say, that intertwined overallness is in a stillness. So I’m able to note, upon the out-breath, the fluidness of time, and, in doing so, note what is accepted by the heart. Because the heart is just an overallness, and if something doesn’t fit, or comport, with what is meant to be, then it’s not going to fit, it’s not going to be okay with the heart. 

So, in this prior dreaming, I have been able to put a dollar value on time. In doing so I’m able to quantify its value to the overall intertwined essence of the heart. Now, because something comes through as a thought, and the thought, then, vies for the heart, and the heart knows that it holds a greater overallness – and so this sort of thing stands out in a differentiation, it’s going to be louder, so it’s going to have more dollar value. 

But the key here, in this case, is less dollar value for it to be more real. If it can be worthless, in a sense, then it would fit naturally into the heart. So, in doing so, I’m able to perceive if what is unfolding in life is acceptable or not at this time. Yet the value of a vibratory thought substance causes a weightiness to strike the heart, because it’s heavier in weight and value, I see this weightiness as a density and bifurcated effect that takes something away from the heart’s essence. 

Because the effect, which involves time, whether something is right to be, and if it’s not right to be it’s going to stab the heart because it’s too weighty, contracts down and pinches that way into being too condensed, thus too linear. I’m able to denote that what is allowed, for shift purposes, and that which is not. And I say that in terms of shift purposes because we’re shifting. And so we’re trying to find a new time paradigm as well. Things have to be measured in terms of a new time paradigm. 

So, in this way, I am able to confront the doingness, because that which is a thought involves a kind of Dharma, if it’s followed through far enough as a thought, and that that is a type of doingness. And does that have merit at this time, or not? I have come to know that what I identify as a flow of time, I’ve come to know whether it’s acceptable at this time. And so, from this, I’m able to respond without hurting the overall intertwined heart design. If it’s meant to be in the flow, or if it’s meant to be. 

This is looking at it from a time standpoint, yet. What I described I already know. Last night I was confronted with a subtler substance upon the heart that is a type of rising up on the in-breath. There is information in the spaciousness that I’m seeking to know. This is harder because there isn’t the same focus and attention for spaciousness as there is for time. In the dream, I am seeking to quantify the spaciousness for orientation purposes. I am seeing it as set. So I’m trying to break it. In other words, how do you speed it up? Or how do you make the spaciousness come in and let itself know where something fits into the overallness. Time is one thing, spaciousness is yet there, too; is the other half.

So I’m having to look at the spaciousness, an aspect of the in-breath, for its value orientation so I can denote, in an invisibleness light, the orientation, because you don’t quite see it but you experience it, you witness it somehow within yourself in a greater orientation. 

So I could tell on the out-breath the time effect of a thought, which tells me whether or not what is coming into life is embraced at this time by the heart. But what I am not able to denote yet is that in what one is to behold, whether the heart is able to accept the unfolding in a spaciousness, and that’s done on the in-breath. That’s what discerns what is meant to be or not. 

Because that part is not discernible when I seek to reduce the subtle essence, in which I factor “time is money,” so to speak, and use the imagery in which there is a dollar value as a kind of inflectiveness on the heart, which I can do in an imagery on the out-breath, this doesn’t do anything for me in terms of the subtle substance effect in a spaciousness – there’s no dollar value to it. And because there’s no way of quantifying that, I can’t do it.

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Cut and Paste

What is the difference between what a writer may imagine writing, and what is actually written down? Or the difference between what a musician might hear in their head, and what actually appears as a song? Or, we could ask, what is the distance? In our spiritual journey, we can get knowings, or insights, or quick images of the unfolding ahead, yet we are still playing a part in its unfolding, so where we end up is not exactly as imagined, but a reflection of our ability to get there. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: So, in the meditation dream, I am shown that it is possible to relate to, and contend with, what is unfolding in the future in a way that protects and arbitrages the possibilities. In other words, you don’t go too extreme, you can actually arbitrage it so that it levels the thing out. So that a given is a given.

In other words what is intended, or meant to be, can unfold. In other words, you can lock it in as a flow. So, in prior dreaming, dealing with an inner into outer took a lot out of me. And the unfoldment required two more hours of meditation. I have not only envisioned a way it gets what’s needed to come through in a shorter time frame, but what I’m doing also speeds me up so I can look at what this means on a global level. 

I see this as follows. In the dream I come out of my meditation in half the usual time. I’m so shocked to denote what is possible that I go back into the dream to shape the future with a global effect. I don’t know that this is what I am doing, I see this in an after-the-fact image. 

The way I see this is, I wake up observing how it is possible to cut and paste what is designed to be, but not yet communicated, in a way that is for all to see. And the image I cut and paste has global implications. 

Meaning: what is coming through me involves letting go to a stillness, which isn’t possible without the sincere acceptance of, and the setting aside of, images upon the breath that get impressed upon the heart. 

To go beyond time and space, I must step back from impressions. Even light, which embodies a flow, is an impression. Light has a long life, but is a subtle substance that comes from somewhere else. That somewhere else reflects the past. 

This, as a reflective flow, is not readily apparent because the essence is even deeper within. I’m taking this to cosmic intelligence, and what I see in the meditation dream is a global application and context. Isn’t that pretty interesting?

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A Quality of Timing

Whenever we find ourselves in the whirl of many things going on at once, our system must sort out what is important, and what isn’t, and make decisions based on the urgency of need and other issues of timing. In dreams, when we find ourselves in a similar whirl of unfolding events, our ability to connect is shown in our timing, or our ability to flow with the scene, or to be at odds with it. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: Then I have a dream where I seem to have come to this orchard area. And, as I look down, it’s kind of a vast estate of some kind. It’s got some trees, it’s got some clear area, and it feels like they have some kind of a concession they’re running out of it, where as you come down onto the property there’s a man, and some other people, that have these huge wagons that are drawn by big horses, or something, and you even get some kind of a ride. 

I don’t know if they were horse-drawn wagons or if they were maybe a motorized wagon; they were a little oddly shaped, but you could get some kind of a ride, like it’s a concession thing going on there. 

And I go on past that and I go into a little house, because I’m not as interested in rides as I was interested in getting some food. And I see these large onions, so I pick up one of these huge onions and I go into the kitchen and I start peeling. And then a young woman, who’s actually one of the owners, she and her husband own the property, come in. And that makes me aware all of a sudden that maybe this wasn’t part of the public area, maybe I’ve come into a private house and I’m actually getting into her onions, or something. 

Although I’ve already peeled the one that I have, but she doesn’t seem upset about that. And then I take the onion and I walk back out, and look at the area, and I realize that she and her husband are just getting this whole estate off the ground, with the rides and other things, and I’m hoping they make a go of that. If not, it’s a pretty property you could probably use it as an orchard. But then I just seem to leave.

John: So, you’re actually bringing in timing now. In other words, you have the scenario, which is like an orchard area and whatnot. It has rides, and it has this, and it has that about it. You are finding yourself addicted to the demeanor of having to look at all of that as being meaningful. In other words, utilization of it, in some fashion.

So you have a spaciousness, which is what you depicted, you defined this orchard area depiction that’s like an estate at the same time, it has rides and it has all this sort of stuff. You’ve laid out a scenario, so to speak. Now you’re looking at it from the standpoint that it needs to be activated, or something, which involves timing. And so you look at that, and you look at that idea of bringing the timing into it; I’m not sure you actually did before you just left. You just left. 

So there’s more on this verdict as to how it is, and what it is, that you are going to get lost – or if you’re going to get lost in, carrying away, in a sense of trying to shift or shape things, which is what timing, a quality of timing, which is the out-breath part of yourself, that’s what it thinks that it has a right to do. 

The in-breath part of yourself has let go of having to go into any kind of manifested accentuation and is able to just take note of the spaciousness of something. Like in your first dream it’s: how do you handle the spaciousness? In this dream you have all of the components of the spaciousness. You’ve noted all of that. But it’s still a space rather than a spaciousness. When you let go of the spaciousness, per se, you’re not going to get haunted by the notion as to whether or not something needs to be done differently. 

So, in a way, you know enough to leave it alone, which is good, because most people come back, then, and get caught in trying to create, or to shift, or to shape.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Quality of Timing