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Posts Tagged ‘TV show in a dream’

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Jen Anu

We like to think that we have come to understand the uses of herbs, and things in the wild that have medicinal benefits, strictly through trial and error. But that is not the case, historically. Shamans and healers through the ages have gained a connection to the plants and animals in their environment and, through that connection, have communicated with them. In a sense, the plant was able to “tell” them their higher nature. And that is the nature of a human life connected to the greater aliveness of things – information is everywhere, if we are able to listen and get the knowing available to us. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I had two dreams and they both had the same theme, in the sense that I was trying to catch up with the actor who plays Dracula in that TV program. In the first dream, he’s in one setting and, as we try to catch up with him, whatever I’m doing it’s not quite right. And so I try to correct my breathing, and I keep trying to shift something.

And it feels like whatever I do, in that instance, interferes with my sleeping. And so then I keep coming back to trying to hear a certain sound, And that first dream then became associated with the color red.

John: So, at this point, what you’re doing is that you just seem to understand, or recognize, that everything that is going on in the overall is part of something that you need to accept as a level of existence, or a way of being.

In other words, you’re not doing the typical behavior which is to look at something that’s a Dracula, we’ll say, or is a make believe mannerism, and treating it as something that is fabrication and extraneous.

Instead there is something about the show that tweaks something inside of you to cause you to recognize an energetic that is part of the wholeness of life – and you are seeking to incorporate that as part of the naturalness and beingness of your overall frame of reference.

And if you were to look at this as something that is completely peculiar and manufactured, and not part of what is going on in life, meaning some energetic or another that got triggered here because whatever that energetic is that got triggered is part of life, is part of the whole, is part of who you are.

What you are doing is you are trying to incorporate that into, like I say, a type of shifted level, or another level or something. You’re trying to incorporate that into you’re overall beingness as part of it, as it being part of it when it hasn’t been, and wasn’t being, noticed before.

Jeane: So, in the second dream, again I’m trying to catch up with him, but this time he’s on a train, again with a circle of people, and again I just can’t quite get the breathing right. And this time, I’m again correcting to trying to hear a certain sound, and this time it’s associated with orange. and that was all I could really pull out because it’s like I would keep interrupting the details or it would partly wake me up and I would kind of come to trying to hear a sound.

John: And so, what this part is doing is it’s telling you that this is part of the journey. In other words, whatever unfoldment or awakening process that you’re on needs to incorporate that, needs to shift with that, and the shifting is orange.

I mean that’s the color of the shamanistic use of energy. And the red has to do with you acknowledging and recognizing something and bringing it into your overall level of insightfulness as a beingness. In other words, that’s the color that most grounds all that’s going on into life.

In other words, what we perceive is a very little thing. In other words, what we perceive is based upon only working with the senses from a lens that sees everything as separate. And to be properly grounded you have to incorporate the wholeness, and everything in that wholeness, as being you.

And when something then becomes recognized as being something that you hadn’t noticed before, you incorporate that as another level of your wholeness. And that enables you, then, in bringing that through, to function with that, and the functioning with that or the working with that, which is really you, because everything is you, that shifting, just like the catching up with that is like a shift, and then that shifting that is now in life has a quality to it that is the orange, the orange color in you, which means the color that is able to take what is anew and utilize it in ways that may make no sense to other parts of yourself that are not aware, or accepting, that this is part of life.

And so when you have something that you accept as part of life, and others do not accept it as part of life, then you have the ability to shift things that they can’t shift because they are caught in their limitation of their perceptions. Now they and everything is you. And the access to that, compared to the you that didn’t have the access to it, is something that brought in creates something anew, and that’s shamanistic, or that that’s a shift.

So the orange that is able to do things that, when viewed from the plane of separation, can appear shamanistic because it works with the ordering, a natural order taken into the whole of what really is an overall aliveness, when it is viewed from the standpoint of separation that this sort of thing is possible, like the shaman reading the rock for information, and being able to do that, or being able to take an inanimate object and use that as a means, as a lens, as a mirror, to seeing something of what one would sense and think to be a greater aliveness, take a more inanimate aliveness to reach something as a greater aliveness, what is missing here is the recognition that is all alive.

And the fact that the rock can say something, or show something, means that it has that aliveness that is within that rock has been opened up and connected to the aliveness that is really an aliveness of the whole. In other words, the separation has been taken away. And so an aspect of something falling away is a use of the color orange, and it is a catching up with a level of beingness, as well.

So you’re looking at this as a type of natural overall aliveness and, therefore, approaching it as a wholeness, straightaway, accepting it, or realizing you need to accept it, and so you are accepting it straightaway, as opposed to having to contend with whether that something or another is manufactured as a make believe or not. And, of course, maybe the scenario itself is fictitious, but the energetic behind that is real. And maybe that’s why one watches and is interested in that sort of stuff because there’s always a dynamic behind it that is meaningful in the overall aliveness of it all.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Greater Aliveness

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ima09-gesIt would be quite natural to wake up from a dream where someone was murdered and feel disturbed and upset – particularly if the victim appeared in the form of a family member. But only in rare instances are dreams premonitions of future events. Plus, we know that we are all of the characters in our dreams, so who is really being murdered? In this image it’s a parent, which speaks of an older and wiser aspect, or perhaps even ancient aspect, of the dreamer, or even of the collective – because psychic capabilities are part of our human design, but they have been ridiculed and denied, suppressed, and in so doing, we are actually killing off a part of ourselves. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: In the meditation dream I’m introduced to a program on TV. In other words, inside I’m seeing a new program. This program is intended to portray a form of conscious interaction that is in life. A sequel to the show will portray another viewpoint in terms of a different actor.

So the purpose of the first show is to portray that there is a way of carrying on in a matter-of-fact way which is able to demystify an energetic. The way I perceive what I see, is the actor in the show, and the sequel, aren’t conscious in some sort of breakthrough way. In other words, they each think they’re doing the right thing, however. In other words, they are each quite attentive to the way the energy is understood in terms of themselves.

In the first pretend show, because it doesn’t exist, it’s all inside myself, the actor has lost a parent when the parent was befriended, taken on an excursion by a killer, and killed. The father and the killer go away from any witnesses, or anyone who could have ID’ d the murderer, when he was killed.

So, in the dream, because I’m psychic, I am able to know that this person, based upon an inner connection that I have somehow to my father and a natural knowingness, I’m able to read energy, and so I proceed to make charges to the police – who tell me to knock it off because I do not have actual evidence to incriminate.

I act as if I do because to me my ability to just naturally know this stuff is loud and therefore profound for me, and so I attempt to invoke and infer this to the officers, as if that’s possible, the means by which one’s able to channel and therefore catch up with an energetic inflection from within which makes visible and is the connection and conduction to what is knowable.

In other words, there is nothing hidden, even though no one witnessed it or nothing present. To prove that I know what I know as being genuine, I use my connective inner psyche to take them to the body. The officers do not have this inner knowingness available to them, and so thus how can they understand what this means, or how it works? And therefore I’m not able to charge the murderer for killing my father.

So this is a whole program. This is a TV show that’s about this person and his psychic ability and this is like an introduction. This is like the premiere? Whatever they call it, the season premiere. And then because this show is successful, they make a sequel, a kind of sequel to the same TV program that continues in this genre but now from the perspective of the killer.

In other words, the program is portraying what it is like to energetically go through life hiding from something, repressing something, that hurts your flow, in other words, is a lie. The sequel to this new show is to be shown, like I mentioned, through the eyes of the killer who has been able to get away with the crime because there isn’t any direct physical evidence available. However, he knows what he did. The murderer’s guilt will have a long-lasting karmic effect upon his being.

Although there isn’t any direct information available for anyone to see and to denote, nevertheless, because he knows and must carry the price of this energetic karma, the result is a program which will portray what it is like to be a bit guilty and self-conscious when you’re not able to be out in the open in manifestation. And so you could say that even though the collective isn’t able to pick it up because they don’t have the conscious psychic ability, he knows and that knowingness is an issue on a karmic level for him. And the psychic projection in the outer that I’m doing, that is into the collective, that the collective can’t handle is the flip side of the coin for me.

So what is going on? The two shows are, in a matter-of-fact way, portraying what it will be like in the future for those who carry the inner awareness as portrayed in the two TV programs. The energetic in each sequel will be worn on the sleeve of each actor’s personality, and the moviegoer will be able to look at this in a matter-of-fact way as an insightful way to connect energetically in a fashion that puts you in the shoes of this way of being.

The awareness that will be portrayed in terms of what it is like to live with psychic knowingness as the initial dream is, on the flip side coin, offset by a sequel which will portray what it is like carrying a concealed condition. In other words, the psychic thing in the first dream is out in the open. The concealed condition of what could be seen if the whole world was psychic like that is hidden, and yet that which is hidden still subtly affects the demeanor of life and is not something being worked out in an overallness in manifestation.

So in the first TV show the psychic knowingness is obvious and apparent and vibrantly awakened in the main actor, but not in anyone else in the program. What this is going to be like for the psychic is he has to bear this awareness in a world in which no one else gets it, and so the show is what that’s going to be like. And it’s not going to be comfortable, of course, because he’s going to be like an oddball.

And in the second show this TV program is going to show what it is like to carry a guilt in terms of what has been done that is totally unacceptable to society but remains hidden from you. The karmic effect of this energetic will percolate under the surface of the collective. Therefore, when it’s under the surface of something then it is a defense mechanism, and it lowers the vibrational energy, and creates a denseness and makes the energetic of a person very reserved and incapable of free flowing.

And so all of that is going to be shown in terms of what it is like to have to live with this guilt and misuse of energy – not able to live itself out in manifestation and be open for resolution.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: A Way of Being

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