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Posts Tagged ‘universal oneness’

cosmos_2014_by_redxen-d7498s7In this short image, a huge concept is raised: If, after this human experience, we die and return to the source of our arising, have we been of benefit to God and creation? If we look at the natural worlds, everything plays its role in the process of the whole. But we have freedom of choice, so we have to choose to play the role we have been designed for. Just shopping and procreating isn’t a fulfillment of our human purpose, we need to be in service to the whole in whatever way we can, according to our uniqueness. And doing that requires a greater consciousness. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: So I had this other little dream where I’m looking for somebody, and I ask the sister or something or whatever, where is he at? And I’m told, “Oh, he’s gone home.”

Now I’m supposed to naturally know what home is for him because home is the same for all of us. It’s back into the essence.

When someone says they’ve gone home, and they’re talking to someone, there seems to be a natural language that everyone knows what home is. And I’m out and about, and when he’s gone home it’s not like one goes to where his home is at to relate to him, because you relate to things in the flux and in the flow of what is going on.

And when a person goes home they’re in a state of rest. And when they’re out and about they’re in a state of flux. Or, in that state in which the inner and the outer have an aliveness and a language of the soul and everything communicating.

So it’s an interesting image. Yes, there’s a certain relief to the idea of being able to go home, but then again that’s a fairly dormant perspective. I wouldn’t be asking the question if I wasn’t of a motif of wanting to do something, or being fluid and in a flow.

And when a person has gone home, they’ve gone to a point like where the drop goes into the ocean. And so it creates this image that a person always kind of has this choice where you can go home, but then what does that do for creation? And creation is helped by being able to hold “the soldier between two worlds” place. It’s a very interesting, odd, peculiar image.

There was nothing wrong with the fact that the person had gone home. It’s just that, I don’t go home. I’m not going to go visit him at his home, even though I kind of know where it’s at. I guess I’m supposed to because the sister, when she says that, does not explain where home is. So obviously I must know where home is at, but that isn’t my frame of reference.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Not Ready to Go Home

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Jeane: I just have just two impressions from my dreams last night, even though I dreamed a lot.

In one, I was talking with someone about people who were speaking Russian. That’s all I remember, I was just discussing that they were speaking Russian.

In the second, I’m speaking with a man and what I’m really noticing about him is that he has this space that he moves around in. It’s a fairly large square space, with multiple dimensions. I’m with him and I move around in that space – I’m even comfortable in it – but I want to expand it. 

I want to go out into the rest of the space, too. That’s the best impression I can give you.

John: Yes, the dreaming had to do with looking at the spatial area that we’re meant to exist in, or reside in, as a presence.

Ordinarily we (and people in general) don’t view ourselves as fundamentally an energetic occupying a space. Yet when we drop our projections and our identities, that’s all we really are. This imagery is showing that, to a degree, you are holding, or residing with, a certain presence or way of being in terms of the whole (there will always be some part of us that is not completely part of the whole and needs to be sorted out).

If we can get rid of our identities, then we will find ourselves being more natural in an overall space. So, to begin, you saw yourself in a space where you couldn’t understand the language – you weren’t fitting in. Then, in the next space, you discovered that you had more freedom than you thought you had.

So in the dreams you’re trying to establish and recognize how you’re truly meant to be, once you’ve taken all of your personal barriers out of the way. To whatever degree you’re able to let go of, or release, those patterns and biases and definitions of yourself, that’s the degree to which you’ll be able to more deeply relate to an overall space, i.e., creation.

So you’re starting to go into the overall, as opposed to seeing yourself as separate and unique, and grasping onto all your idiosyncrasies that make up your “personality,” which are, ultimately veils and limitations we place on ourselves. So you’re starting to see, and experience, yourself as part of the whole.

My dream touched on similar ideas of relating to a space.

I’m looking at a commercial property. The first thing I see is that when the carpet is removed, the floor beneath it is irregular and poorly built. Still, the floor can serve its useful purpose, as long as it’s properly covered.

A business partner is with me, and he is telling me that it’s not a big deal and that the place will be fine. The floor is irrelevant.

The next thing I’m considering is the flow of air and sound through the space. I’m under the assumption that the space just somehow or another absorbs the air movement, or the heat and the venting.

I find out that there’s a natural vent built in; that’s a relief. But is that the kind of relief I want? With a vent and whatnot constructed there it could relieve the pressure of having to absorb it. Without an installed venting mechanism it may create pressure that could lead to a type of sweating (I begin to physically sweat as I make this discovery).

All of a sudden I notice that I can actually perceive the action of the natural venting, and it’s a huge relief and shows me that the place is more fluid.

This dream is reflecting the idea that even though this space has its defects, it’s perfectly useful anyway. When we look beneath the surface of things, it’s supposed to be just fine. When we feel it’s not, that requires something extra from us – we have to absorb or accommodate what is lacking.

Yet in this instance, even though the floor has issues, it’s not an issue in the overall. So there’s a more natural flow to it, in relationship between the inner and the outer, than I had expected. That means that I don’t have to absorb as much as I thought I’d have to absorb, which means that on an inner energetic level, I’m able to accommodate or adapt.

That may exert a certain amount of physical pressure upon me. However, I discover that the place already has a built-in venting system to address the problem. In other words, it has a flow that is able to manifest from its innerness into its outerness in a way that I hadn’t imagined possible.

At first I thought I would have to absorb the consequences of the problem floor, and the venting issues. But I discover that I’m able to relate to life in such a way, that these issues become fluid.  So the underlying meaning of this is, that when I put my own expectations upon a situation, it limits the possibility of being in the flow.

When I don’t take the issues so personally – seeing them as “my problems” – I’m more open to the ability of the space to accommodate what needs to be accommodated, and I can just be in it. It’s a dream about holding a space within.

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John: Yesterday my dream was propelled by the energy of the kundalini, which is a Sanskrit word meaning “coiled” – like a serpent. It’s an energy that is mostly dormant in all of us, and is seated in the sacrum at the base of the spine. The kundalini is an amazing energy in that it’s a result of the clash, or coming together, of an inner aspect of light. (For yesterday’s dream, see The Heat of Kundalini.)

Kundalini has to create and cause an outer aspect of light to emerge. In the masculine way, it gets snapped into existence. In the feminine way, it just is. When it is awakened, everything is perceived and appreciated as being a part of the light – it’s a divine connection.

So in this imagery, I’m shown two possibilities – I’m shown two ways that things can unfold.

One is through the personal, ego-based way of the human, where a person acts according to their best thoughts and perceptions. The second is the divine way (universal way), which has to do with being embraced and swept up in the light – in the flow.

Of course we’re not used thinking that the world works this way. We’re used to fumbling about on our own in order to bring about some change, or to rectify a situation, or to try and steer things toward an imagined outcome that we have projected. That urge (which is a very personal view of life) cuts us off from the way things are, and from the way they should unfold, naturally (universally).

So, in the first dream, I begin by having to fulfill or maintain a perception of what needs to be, in terms of where and how I need to be situated. I’m trying to fit the ideal of what I’m projecting – according to my human perception. 

In this vision, I see myself as a person named Stark. I’m standing in the shadows – I’m barely an outline – and there are scores of my replicated self, standing side by side, formed into a circle in the shadows.

That image morphs into a pulling together of the limited light, and formulates a position in which all of the various points of human consciousness are pulled together to create an end result that looks like the light array of the Las Vegas strip, but that I can feel has barriers. In other words, it’s not wide open; it’s not totally free.

It’s like I see the lights from all the hotel rooms as dots positioned in relation to a particular spot in a building. And I know that’s unacceptable, but it’s the best that I can pull it together – the best formation I can make – in relation to trying to contend with the lights emanating from the Las Vegas strip.  

It’s like I’ve recreated the lights of the strip myself, but it’s a poor imitation. There are parts still in the shadows, as though they’re protected.

So, there’s something not quite right in all of that. I mean, with all the effort I made, that was what I ended up with? There’s a sense of personal indulgence in this effort that hurts the heart.

This image is a portrayal of what will unfold based upon my current state of consciousness. Because I’m in the shadows of my true self, I’m not fully aligned. So the result of what gets portrayed is unacceptable and not how things need to be.

Simultaneous to that vision was something that also occurred as an example of the second way, the divine way, in which I just allowed myself to be in the light, to stand in the face of the light. 

In other words, I was not in the shadows, not in a multiplicity of myself, and not called Stark. I was just myself in the light, not trying to do anything other than take in the sense of the light.

It was as if the light knew how to give birth. All of a sudden the light flares out, just like you might have a solar flare or volcanic eruption. The best way I can describe it is that it seemed as if the light had a tail to it, and the tail just flickered out through the rays of the light, sparkling as the tail moved.

The end result was a whole new manifestation within the light. Something new is there now that couldn’t have been put together in the wildest imaginations of all the Starks of the world.

In the misaligned state, this instantaneous manifestation could never come about. It’s as if the light suddenly just flickered a tail, created the flare, flashed it out, and then lo and behold there was a whole new extension of lights. It was like the next phase. It was what was needed.

So this is shown to me as what’s possible when one stands in the light of self without compromising it, without limiting it to the personal view. The unfolding it portrays is a divine plan coming into manifestation, born from the light.

Because we all are the light, that’s all we are. If we surrender ourselves to the light, new manifestation becomes possible.

If we don’t surrender, we are limited to our own faculties, which can only lead to the “Stark” images – endless replication. It’s living life through a shadow consciousness that doesn’t know any better.

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