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Posts Tagged ‘we are all the characters in our dreams’

90JJJOften, we reel drunkenly from a positive outlook to a gloomy outlook. Usually we will find a point between the two and settle there, knowing that any extreme view may not be the full picture. In our dream life, we can see this play out between the different characters in the dream, each taking different sides as they try to bring us to a resolution and deeper understanding. And it’s like the breath, we need the full cycle of in-breath and out-breath, the full process of putting into life, and drawing back into ourselves. It’s a natural process that can be our guide when we find ourselves in any extreme position. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: Now listen very closely to mine because it’s the exact same thing, what lacks is my ability to describe the dream, but it reaches the same conclusion and understanding by being able to read the energetic.

In the meditation dream, I am confronted with having to cope with what appears to be two different energetics within my being. In other words, that’s how you feel it, that’s how you felt it, it’s like two different qualities, and it was like two different energetics.

So the first energetic, which is the in-breath energetic, has me all revved up. And when I am revved up, what is going to happen to me is going to be a calamity – in some sort of outer way. It seems I can’t do anything about this part of myself. But note, there is no resolution, just a disarray. The way I put it is: there is a sense of what is possible and meant to be within a greater unfoldment.

But if you were to say it from the standpoint of kundalini energy, from the stillness is what you mirror, but in the mirroring can be both outer and it can be inner. You can mirror it into the outer, or you can mirror it back into another zone inside of yourself, which is the zone of the spaciousness and what more is in there.

And that aspect is generally described as a type of magnetism, in terms of how it’s described in the outer, or in the dense way. In the subtler way, it is a bringing of what is needed, in terms of the time, because you have to put the time and space together in order to break the chains of manifestation. In other words, you have to go beyond both of those modalities.

So, there is another part, now this is describing the out-breath, that seems separate, that knows, in the future, everything is going to be okay.

So the dream image is as follows: a part of me knows not what I am doing in an outer way, and I have a sense of catastrophe – in terms of this being a discombobulated quality. I know that this aspect of my beingness is in trouble. Yet, even so, there is a future sense, and this future sense is like a part of myself that I know “gets it,” and knows that things will work out somehow, and be okay.

So what is going on is the first part is in the in-breath. It is an in-breath that is overly expansive in the spaciousness, and is going to suffer a crack up if this spiraling continues unabated. And the second part is the out-breath. This is where there is a timing seeking its whereabouts. The timing and the spaciousness need to find each other for there to be an orientation to the essence of an all-pervasive wholeness.

Why did I dream this? I dreamed this vibratory orientation in order to note that the expansiveness of the in-breath is unstable, in and of itself, and needs, first of all, a stillness, so that the timing, from the out-breath can catch up, or reach it, for a completeness to occur. Until the two come together in an orientation there is a waywardness that is spiraling out of control.

When I’m spiraling in the expansiveness of in-breath, deep down I know that won’t end well. This is offset by a future sense of things in which I know that there is a wonderful resolution in an undefined future. That future sensation is a timing that needs to be brought into the spiraling spaciousness. I am meant to catch up with the spaciousness of the in-breath, and the timing of the out-breath, to break through the veil of having to be about something in the physical sense dense way.

The net effect of going beyond time and space is to reach other levels of a greater inner world beingness, and bring this as a consciousness into a knowingness. What I’m talking about is an access that is in touch with such other levels of my beingness, which reside in a non-entity stillness outside of the physical orientation of time and space. In other words, I’m talking about time and space outside of the physical orientation. I’m talking about a time and space beyond the planes of manifestation.

This is more than spirit energy, although that is a level of beingness outside of time and space, or is it? It’s kind of in time and space because pure energy is still a type of substance defined, or viewed, as kind of an etheric way; in other words, very, very subtle. And there is much more because, in an all-pervasive stillness, nothing exists but the essence of it all.

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driftin5Sometimes we all just need a good talking to. And who better to give us the alignment we need than another part of ourselves? That’s what we do in our dreams: a wiser part of us shows the not-so-smart part of us what we are doing that is risky or inappropriate. As we have said, we are all the characters in our dreams, so it’s important to notice who is right, and who is wrong, and discover which part of us has the wisdom today. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: And then, in this next dream, it starts off where I keep having to remove things from a surface so that another person can lift up the top and look inside. It’s kind of like things on top of something, and then you can lift it up, and open it up.

I do this a number of times, clear off the top of the surface, and each time it gets easier. And, in the end, I’m able to clear it off really quickly because I have developed a familiarity in doing so.

And then what this is about, in terms of a type of letting go, shifts, in that I’m coming around a curve with my car and I pass a cop car, that’s also on the curve going the other direction, that is in the shape of a souped-up sports car. I mean, this cop car just slides around the corner, more or less kind of skids past me in the other direction.

So I’m able to note, as this happens, that he motions for me to slow down. However, from my perspective, it is him that is going too fast. But that doesn’t mean that he isn’t going to act like he can get away with that in his righteousness and might come after me, or something.

So I drive up the road a bit because it’s kind of a windy mountain road there, not an easy stretch where you can see for great distances. And so I find a turn off onto a roadway – initially is quite improved. So I turn off on it, but it only takes me a short distance, and then I have to kind of go up a hill, and there’s rubbish and stuff, and when I go up there, then I can get the car out of sight.

Well, I can’t drive the car, so I carry the car up the hill. And I have to go through fence barriers and stuff like that, that are very strange, one after another. At some point I apparently got the car out of sight, and put it down, but continued going through those barriers. Until, to my surprise, I’m at a building, a very old building. It looks like it’s abandoned, who would be way up here?

So I open the porch door and I walk in. And then I have to go through another door that still isn’t the main part of the building – it’s almost like another porch-like area or something, only this part is real dark. And before my eyes can adjust, I hear the sound of a family coming.

And so as they’re coming into the porch, I meet them before they come back into the main house. It’s not really the main house, it’s stepping into the ante porch, or whatever. And as they come in, I say, “I just got here.” And the husband says, “You must have heard us coming.”

And I say, “I didn’t get a chance to look around, yet.” And the husband looks at me, at this point realizes that something isn’t right as I’m shuffling to leave. And he says, “Sometimes you have to ask for permission.”

So, the meaning is, in my flaunting about with my investments, the one thing I have not looked at is if I have permission to veer off in such a way. The first image indicates I am not ready because I haven’t cleared away all that needs to be let go of.

The main dream indicates that I am pressing too much, and, in doing so, have gotten beyond barriers in what seems to be a premature surprise. In other words, it’s like I’ve advanced with what I’m doing and whatnot, I’ve broken through some things, and that can lead to a certain kind of presumption.

But also a premature surprise, in that what I have accessed and reached almost is too early, or too quick, or almost as if uninvited. It’s as if I just took it on, on my own, and everything has to do with timing, and the spaciality of things, as was shown in the previous dream, so I just need to be able to know how to take a step back. What I have done is a bit disruptive at this time. My timing is off.

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arnWhen no one is listening to us, what do we do? Often, we raise our voice to be heard. Or we make our text ALL CAPS. Well, our systems can feel the same way in their conversation with us, on the inside, through our dreams. That’s when we get jarring or unsettling images that can throw us off for the whole day when we wake up. In this example, there is a murderer, and then the killing of a murderer. But we are all the characters in our dreams, so the image is an expression of a deep fear or resistance to what needs to occur. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I didn’t seem to like my dream last night, I only remember one of them. In that dream, I’m living in a house, and there’s someone that’s going around town murdering people. And I’m trying to find, or capture, that person.

And I’ll go out, and I’ll be looking at people and following them, and then coming back. And people come to the house, and I’ll be looking at them. And, at one point, I have three people sitting in a room with me, I think it’s three men, one person I know from high school, I forget who the other two are. And I become convinced that’s it’s one of them.

And I know that the characteristic of this person who’s killing people is that he’s compulsive, because he’s killed successive people. And, anytime anybody comes through, it’s like I’m looking at them, I’m examining them. I’m trying to figure out where they were and what they’ve done. And everyone does kind of keep moving. So it’s hard for me to get a sense of them.

At one point, I have to leave these three people I have in the house where I’ve kind of narrowed it down, I think it’s one of them, and I ask some friends to watch them, and describe that I think that whoever it is will be compulsive.

Well, when I come back to the house, they’ve captured the person that was murdering everybody. I even thought it might be one of the ministers, but it ends up being a woman. So I have two of my women friends holding on to her until I can get back into the house. But as I come into the room, they take some kind of a cylinder and push it into her arm, cutting the arteries, so she’ll die. And I’m like shocked that they did that. And maybe they just thought that would stop her killing anyone else, but I’m shocked at it. So that was the dream.

John: The dream was triggered by the fact of an energetic inside, or a kind of awakening, or awareness quality, that you’re moving towards inside, in which the idea is one of letting go of everything.

So the idea of letting go of everything is scary because it triggers the impression of a kind of death. And so you’re trying to figure out how to observe all of this, how it is that you can take and observe, or notice, what is changing. Because this whole schematic of a type of death is a schematic in which a quality where you’re used to trying to make something meaningful – you can’t quite do anymore. And so it’s like the flip side of that, is that something is killing you.

It’s a peculiar sensation. The first time I had the sensation like that is I actually had something physically wrong with me. And, of course, I carried the sensation in terms of waking up and there being like an emptiness, where there was nothing alive, which meant that there was something dying.

That isn’t what you’re doing, what you’re doing is you’re carrying this sensation of something like this, because there’s a sense of a stillness, or a quietness where you let everything go. And that has an impression of death. So the oddity of this thing is, no matter how you look at this, it still looks like something has to go. And there’s always something that has to be let go of.

And so, in terms of your view of the overall world, that’s like something is dying, only you’re dying in terms of the way you’re caught, or held, or tied up in terms of the world. It’s a scattering sensation. You feel scattered, you feel discombobulated, when you have a dream like this. You feel like you can’t trust your sensibilities, even, when you have a dream like this. You feel like you’re overwhelmed, and it’s because you’re coming dangerously close to something in which there isn’t the aliveness that kind of keeps things going.

You carry something like this to the farthest degree, it’s almost as if the stillness goes back to the Demiurge, which is supposedly a vibration that came and ultimately out of that is the evolution of the species. And first there was just the Demiurge, and then came something as embodied as life; as human existence. It’s almost as if that’s where something like that is going; in other words, where it’s going, how it’s going, what you’re scoping to find, how it’s to be, is still like a mystery because it involves having to let go or sort something out.

And the attempt to do so causes these images that are kind of terrorizing, because it’s easier to keep something quickened in one’s nature, than to adopt a state that is more empty, because that is scary to the sense of oneself, that holds on to this quickening, that’s like an aliveness or vibration. It’s scary.

To download this file, Right Click (for PCs) or Control Click (for Macs) and Save: Something Has to Go

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