Posts Tagged ‘why are we here?’

2b87ilThere is a long history of stories of angels, but what could they possibly be – in a world of energy and matter? One way to think about them is to understand that the universe doesn’t tell humans, or other living things, what to do exactly, but has built a universe that encourages everything to fulfill its design potential. So, the angelic realms, including high angels as well as local fairies and other forms, all coexist with living things to help them in their needs. Of course that doesn’t mean they solve our problems, but they give a life in need the intelligence to grow and solve the need themselves. If we haven’t experienced the guidance of the unseen in our lives, it could be because our needs don’t resonate with our greater design purpose. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: I’m staying at a lodge where the facilities are shared by the group. Water is in short supply, so a focus is needed in terms of its usage. In this place, I don’t have the need to keep up with all of the news; most of what goes on is redundant, or unimportant, anyway.

So it’s kind of like I’m sharing this area with a whole bunch of other people, and yet, at the same time, we’re not involved in the average day-to-day of things in the outer. So I’ve gone into a bathroom, I haven’t locked the door, and into the bathroom comes an attorney friend I have known since high school.

He tells me that Wednesday, at midnight, East Coast time, the President gave a State of the Union address. I’m trying to determine if there was anything said I need to know. Len doesn’t know, other than saying that what he got out of it himself was: there is a cost to facts.

The meaning is that, in keeping with the theme of the dreaming, which has to do with totally letting go of nuances and residing in a stillness, when I count out in a, so to speak, free-flow way to take into account the reflective in the big picture outer, that is when whatever it is that you touch, whatever it is that you look at, whatever it is that’s going on, that’s when you come to know that there is a cost to those facts, because that’s located in some aspect back in the will.

By that I mean, there are departures or derivations that occur, in subtle ways, that I have to take into account as part of a deeper inner connection. I mean, that’s what one thinks they have to do, that doesn’t mean you have to do it. When you do so, you’re not dwelling upon the facts as the truth, but are recognizing, or getting caught in, and hopefully you can recognize the catalytic that is behind that, that touches, then, a need of a greater overall awareness.

I mean, it’s when we keep touching the need, and going through that, and accessing something somewhere as an answer to that, that we travel in God, as opposed to sitting in a bewilderment.

So I access that from within, and from the stillness, where in-breath turns to out-breath, and don’t just usher it into life in a Jinn way, but realize that as I come down into life, I also have to take into account the in-breath, so I kind of step back to touch it with an angelic intonation. It’s kind of a step-back mannerism. And the step back is there in order that what comes through is not merely something anew, but also is there so that it heals from what had been a scattered and shattered scenario.

In other words, what you see in life is you see people not able to go up and down simultaneously. And, if they can, they can totally let go. What happens is people come down in ideas, like you see all the notions of things and the understanding of things heightened, it’s very, very Jinn oriented. They know how to be with that, not necessarily with the angelic.

And to come out of the stillness properly, you have to come out in both directions. You have to come out with both the angelic and the Jinn. So it’s kind of like a step back to where you take in the angelic and the Jinn.

So I’m not saying that this necessarily works because I’m not sure – it’s what kind of what was portrayed in the dream – that ordinarily, when I’m looking at this as a process of awakening and unfolding, I’m inclined to look at the breath as flowing in a particular way: coming down and then going up. But when you look at it as a coming down, then you tend to look at it as only coming down as an out-breath, as opposed to having a retracement into the in-breath, or the recognition of the angelic side of oneself.

If you don’t recognize that, as well as when you come down with the out-breath, you don’t understand what shattering and trauma are, you just act willful. But, this way, you can act compassionately, in terms of every expression that you make, which is then an adhering to the echoing more dearly. Now that is from the stillness of the in-breath. So that’s what this is kind of imparting.

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2-brainIt is a curious thing, and a fantastic thing, that there is always more to life, and there is always more to us. No matter how far we go, or what heights we attain, we have always just reached a new plateau from which we can go farther still. In this way, our systems and the universe await us, always ready to give us the next thing, the next development, the next elevation. We are always unfinished – also a good thing – so our systems are always trying to awaken us to what is newly possible. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: So, to try to break it down, I get it in bits and pieces, little bites. This starts off with the dream in which I’m standing along the sidelines of a play field. It’s like a baseball field, and these teams are kind of like klutzes out there, as far as I could tell. In fact, it bugs me to watch how sloppy they are.

And so I end up shouting things out because, my gosh, this is absurd. And so it’s as if, in a break in the action, one of the players he’s a very, very tall, kind of big guy, that I’ve never seen before comes over to where I’m at because of my reaction.

I proceed to stay in the reaction, and I’m telling him what I think, and he won’t listen. He just immediately interrupts me by saying that there is nothing I can do about it, and that he could easily give me an elbow and no one would pay any attention. And that I should keep this to myself.

I realize that if he hadn’t interrupted me, and drowned out what I was trying to say, and had just merely responded in relationship to the energy that was being kicked out, it could have been a bad scene.

And so what was this like? Here I am reacting, and yet what was this baseball team really like, because in the next image I see the two teams as they are each leaving the field, first one and then the other. The first team has those Dumbledore hats, kind of lumpy looking, goofy, hats as they move off. And then the other is wearing kind of what you would see in a carnival, you know like a huckster in a carnival, kind of a round hat. And that’s when I realized that there’s nothing I could say under these circumstances that’s going to make any sense, which means that I just have to drop all this is what it amounts to.

See, what this dream is really talking about is the holding onto a type of mood or a tone that keeps one from pulling together all of the pieces, and components, that need to be pulled together in order for there to be this whole other consciousness.

And so then in the next one there is a teacher who is going to instruct a class on how to listen to sound. And he hasn’t started yet, and decides to go to the bathroom. There’s like probably eight or nine people in there. I get the sense that it’s going to start maybe as the precursor of maybe putting your fingers in your ears, and then it’s going to evolve into something where you could see light with your eyes closed.

But when he leaves, a kid jumps up and he says, well, I can do that. And so he comes to the front and then tells everybody to put their fingers in their ears and everything, and when the teacher returns there’s everybody copying the kid.

And then, on another occasion, it’s like I’m upstairs in a building, in other words, by upstairs meaning there’s steps that you go down to the entrance and it opens up; when you come up the steps it opens up into kind of like a bigger area. And, normally, there are students there, and students of this other teacher. And they’ve kind of moved off to one side because something is to happen, and that something doesn’t directly involve them.

And so the teacher is to come, and so rather than wait I start down the steps, going to greet the teacher; it’s a woman teacher. It’s like Elvira. Do you remember Elvira?

And so I come about halfway down, as she comes in, and what’s involved is we’re to go up the steps and then I’m to play her a game of chess. Now, I haven’t played chess for years, so this could be a little absurd and ridiculous. But that’s what’s involved, and as we’re about to sit down one of the students comes from somewhere off to one side and hands me this large book, that’s about six inches or something thick. And so I glance in it quickly and it has dates, and names, and some interesting drawings of something to be, but I don’t know why it was handed to me. It makes no sense to me.

The meaning of this is that last night there are image after image reflecting to a deeper, unknown, subtle beingness within, along with a subtle connectivity simultaneously imbedded. What is going on in each image is this subtle beingness, that is in an amnesic state and is not able to make itself aware to me, is moving around nevertheless. And this is awkward, and I can’t really handle it, because I’m not able to pull it through so it’s like causing a headache.

And then, when you look at the meditation dream, I learn that this has to do with a psyche, and a natural connection therein, that I am not taking on yet. It has been veiled, and this subtle vibration, which I haven’t been experiencing consciously, is seeking to make itself known.

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DNA_Pixar_BayIt’s interesting to consider that everything that lives, everything that we can see with our eyes, or through a telescope, or a microscope, has everything it needs to be born, live, and fulfill its design – inside itself, and within its environment. And that includes humans, except that we have gotten the idea that our fulfillment comes through artificially created structures and societies that have nothing to do with our human purpose. We have put our faith, trust, and belief in anything and everything that is outside of us, external to us, and we suppress what our design is meant to do, and what it tries all the days of our lives to awaken us to. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: And then there’s just the final image, and in this final image there’s a picture that is taken of the scenario that I am in. It’s a family picture, and the reason for the family picture is to capture the essence of an intertwined unfoldment designed as an aspect of wholeness. In other words, where it’s at, at that particular point in time. It captures it. I mean you can actually see it. I mean you do it because that’s what you want. So it’s an interesting evening.

Now there is a seed thought that threads through all of this, and the seed thought that threads through all of this, and it’s something that I was noticing that’s kind of like sitting off to one side, and the seed thought is: that in order to handle the polarities, in order to go back and forth, you have to honor the heart. You have to honor the heart so that you follow that, the impulses within it.

Now to begin with, this is kind of scary and dangerous, because you can have a sense that this doesn’t feel right over here, but what if you’ve got some other traumatic quality of a thrown around nature that’s interfering, that’s causing you to draw that conclusion? Instead of it being like a clean impulse.

But the way you catch up with the clean impulses, some used to call them intuition and things like that, that come out of the blue, but they come all the time, synchronized and everything else to who we are, because we are the wholeness. If you pay attention to them, and you catch up with them, you can follow them as a kind of guidance.

To begin with, that’s hard because our mind, in its mannerisms, all take us off to this way and that way, and we don’t trust what we feel, even. And we have good reason not to trust what we feel because a lot of it is twisted in relationship to how our mind and senses have contaminated and cluttered things.

But if you get to a point where you can set aside that, and can go to these extremes, like to the indulgent side, and to the feminine side, and into the greater wholeness, and the aspects of something that is always so much bigger. If you can hear that, if you can see that, and the hearing and the seeing is a quality of the heart, if you can do that, but we don’t have a lot of trust is the problem, because we don’t trust ourselves, we’re bewildered by the variables around us, and that keeps us from acknowledging the impulses of the heart.

So the seed thought is, that if you can take in and respond to how the heart inflects, that is correct, that is the way to be, that knows, more often than not, and it will get better and better and better and better if you do it. But when you doubt it and you distrust it, you’re still yielding then to the mind and the senses and keeping yourself in some sort of bifurcated separate way, as opposed to being in the wholeness.

The heart, the quality, that naturalness, knows, but who can listen to it? That’s the seed thought behind this that causes one to have this to that. I was looking at it trying to fight as if I’m struggling with it all, always in a state of contention with it all.

You were looking at it from the standpoint that you were going back and forth and back and forth and back and forth, and finding something just continually unfolding, which is the nature of how it is meant to be each time you go up, each time you go back, each time you come here. You’re meant to keep doing that. You know, that’s how consciousness expands, and you were doing it at lightening speed, of course, in your dream, showing yourself to be taking on greater dimensions in both directions.

What caused the recognition of the greater dimension in the other place, the inner place, in other words, where you went to the peace, and then the final image where the guy wants to know where it is that he is meant to be buried or die, in other words, what is his true home? That shows the significance of the other, yet it was very significant in manifestation, too, as that kept unfolding.

Now they were interesting dreams, and that worked with the seed thought, too, but it worked with it in a way where it wasn’t having to sort the seed thought out in terms of, in my case, having to try to follow the naturalness that is the heart in a place of balance or wholeness. In your case, you’re just doing it, you’re just doing it. You don’t have the habituations so much that keep you from just going back and forth, and back and forth, and back and forth.

Now, if you had some habituations, if you had some reactions, if there was something that haunted you about all of that, then you would take a step back, then you would stop. But you weren’t doing that. You were going back and forth, and each thing kept unfolding, and everything was accepted. The water could overflow. The clothes and the greater wholeness that could be found here or what is needed here, could be taken back and forth.

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