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Posts Tagged ‘witches in a dream’

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We all have our energetic rhythms, some days we feel bright and strong, and other days we feel weak and vulnerable. But what we may not be as aware of is that those states in us are also attractive to other energies. So when we feel unhappy or angry – or are around people in those states – it is important to have strategies for not staying there too long, ways to uplift our energies again – so the energies that are attracted to those lower states don’t have a long time to gather around us. Being aware of what is attracted to us, energetically, can help us learn to invite and encourage certain energies, and limit our exposure to others, as a safety to ourselves. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: I had trouble with dreaming last night because I was not feeling really well. I remember one dream where it felt like I don’t know what we were doing, but I went over and maybe the car that you had had backed over a cliff. And it wasn’t a really dangerous thing, in a way. It’s more like it had slid down this dirt cliff and come to rest at a place that was above a little village, or something, so I had to go down there and decide how we could help get the car out, and who was going to help us.

But one of the problems I ran into was I had been in a house earlier, in one of the villages, and it felt like they worried about witches, and they wanted to kind of sometimes do something to kind of neutralize women – almost like because they thought women were witches, or they had to do some process. And so were they going to suspect I was a witch, and would that interfere in the way of getting the car up and out of that embankment? That was all I remembered from the earlier dreams, and then this morning I have a dream.

John: See, the theme of the dreaming last night had to do with having a protection, and having an effect, based upon maintaining and/or adhering to a vibrational condition. So when you have a car, meaning yourself, that goes over a cliff and gets into a vibrational spinout, in other words, where it’s reduced energetically to a quality that lacks its usual, or lacks what it could hold onto as a usual dynamic, the consequences of anything that’s caught in a thought-upon-thought collective is something that can be easily seen or visualized. It stands out, and thus you have the image of being vulnerable in kind of an exposed way.

What this is meant to show you is that the protection you have, there is a protection. In other words, thought-upon-thought causes a breakdown of things in which there is an exposure, and consequences that arise out of the exposure. But when you hold onto a vibration that sweeps through the exposure lower-self vibration, there is a protection there. The reason it works that way is, just think of how it is in the outer in which when you are in a state of depressed nature that bad things happen to you, and that when you’re in a state in which your quality of energy is uplifted that things make way for that, things open up for that.

So the portrayal of you being in kind of a collapsing of energetic, to an image of being in an exposed, and vulnerable, position, is because that is what happens when you are not holding onto a quality of vibration that you’re meant to be aware of, and that is when the protections are removed.

In other words, maybe the way to see it is that if you’re in a state of true innocence, like a child is, they have kind of like a type of guardian angel that looks out for them. As you get older, and become more sophisticated, and take on the righteousness of having ideas and vibrations that you’re going to hold onto for yourself, then you exchange what had been a protection for those ideas. And because those ideas have no guidance, really, in them, they are reflective, you are vulnerable to kind of an ill fate.

And thus the image that you have, the image is not predictive or anything like that. The image is just symbolic of the fact that you let go of holding on to a certain space that you are aware of, and, in letting go of that, in exchange, that there is this kind of breakdown which is exaggerated by the image of being like a witch.

In other words, your dream world takes and uses accentuations from some place or spatiality inside of yourself to create a shift, to reveal what the state is that you are in, and that’s revealing the state.

Now, I actually also believe that maintaining something that is a little adrift like that, something where there’s a certain direness, maintaining that long enough, having that infiltrated into the molecular makeup loud enough, long enough, leads to one catastrophe after another. So you’re on the verge of the breakdown kind of way of being, vibrationally.

Jeane: Thanks.

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eye-of-newt-3Every moment we are confronted by, and limited by, our level of understanding. We react and proceed forward based upon our best understanding at the moment. Yet there is always more to know and more to understand. In the realms of spiritual and energetic development, we can gain access to higher levels of insight and knowledge. Here we see witches in a dream, and that sort of energetic work is very crude – but it does represent a certain understanding of the way things work. It’s wise to remember that there is always more to discover, and that the refinement journey never really ends. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So, in my first dream, it feels like I’m in this ancient city that even has like a temple-type area. I know how to travel over to that area, and I can travel up and it’s almost like there’s hidden passageways, even on the outside, where you can go up and over.

I go into this area and it’s where the witches are, and I can see what they’re doing, and the ceremonies. I can go back and forth between there and where I live, but it feels like I bring some people with me, the man and some other people I’m with, and I take them there.

But then I have some reservations about that because then I notice that they start trying to go there on their own, or maybe their timing isn’t quite right, or they take some things out from there that maybe they shouldn’t and then that creates a conflict in me for having taken them there.

It feels like that was my first dream, and then…

John: So the theme of the dreaming is to take and to be able to look at different levels of subtle inner awareness. And, as a person becomes more aware, you have different reactions that you have to go through.

To begin with a person can be perfectly calm when things are completely haywire around them, if they don’t even notice, or aren’t paying any attention. It’s as if they’re absolved from that situation.

But then, as you become more aware, or access other levels inside yourself, you come to realize that what is unfolding bothers you, maybe agitates you, and it also is a level of awakening where you get gloom, dire, and obtuse about things.

The difference is that that’s a level of awareness in that, to begin with, you didn’t even give it attention or regard whatsoever, and so everything that was happening, when you weren’t giving it any attention or regard at all, whatever was happening would continue to keep happening. And if there is a breaking down caused by the way something is awry, reflectively, it will continue to break down.

So what you did is you’re looking at a kind of limitation in regards to a particular level within. The level that you went to within was kind of a inner plane level, in which the dynamic that’s able to play with the outer is quickened, which is a wizards kind of thing. And so you can have a misuse of energy there or, if you can handle the witches and wizards realm that can throw you askew because of the way it can be bewildering to you in terms of what you see, if you can take that at a level deeper behind the witches and wizards level, there’s a whole other quality in terms of the way something wakes up.

So what you did, initially, is you went back and you looked at the witches and wizards level. You didn’t take and activate this, so to speak, from the standpoint of boom, boom, boom subtler and subtler, and subtler and subtler, and subtler. Instead you did this kind of an orientation way, that the feminine tends to do, in that you took and you related from a particular state, and in that particular state you have an unfoldment storyline. Each particular state that we are able to go into has its own limitations in terms of its reflective storyline.

Initially the realm of witches and wizards and all of that stuff is kind of Voodoo-ish, if that’s all you’re able to experience. And if you’re manipulating or able to access that and don’t know that there’s more and more behind that that is subtler, and subtler, levels of evolvement to where there are greater and greater energetic states of freedom, if you don’t know that, if you don’t have that opened up, then you can have, just looking at that state alone, you can only have an awareness in relationship to the degree to which you’re able to pull out that state of sight only.

Why? Because you’re taking and going further and further and further back to the epicenter of how things are, in a non-reflective way. And that the breakdown of reflectiveness, yes, it does have a trickle effect, it does go into subtle levels of consciousness, but it’s meant to be that way. Everything is meant to open up.

So it kind of throws a whole different light when you see somebody that’s really, really reactive because being really, really reactive and hypertensive is a process in which you get yourself contaminated, subjected to spells, and traumas, and trances and everything else – but that is a level of awareness that’s better than being amnesic.

And the problem is the reactions aim to eventually go back to the amnesic, but instead you have to progress through that to something that’s able to let go to where you get to quieter states, to where you get to the point where everything that’s going on in the outer is taken into account in terms of an inner process of vibration.

And that the depths to the degree to which something is chaotic, and this is the reason now, this actually explains why the process is like it is, the Yin/Yang aspect of it, in that the greater the degree to which something is askew in terms of its orientation on an outer physical level, the more loud that that is able to be perceived, and taken in, and handled, and lived, the greater the degree one can offset that by going behind the reflective scene to the place in which the dynamic is being spun out – because it’s all a part of a process of awakening.

At first you might say you had kind of a big bang where everything was just left into an emptiness of an amnesia, and then from there it reawakens. But you didn’t dream that. What you dreamt was you looked at a particular state, and then you probably evolve and go to another one.

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Early spring windows cleaning. Maid cleans window.Cleaning is an important idea in dreams and in spirituality and religion (i.e., “Cleanliness is next to Godliness”). Why? Because it is the nature of high energy to be cleaner and purer that lower energies; we all know the feeling of a newly cleaned room or space compared to the static energy of a dirty space. So, as our body and our thoughts are our space and ecology, we will attract to ourselves the levels of energy that can “live” there. So in our journey we let go of our coarseness to make space for something higher. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So then what I remember of my dream, it feels like I’m traveling with someone else, it feels like another woman, actually, and we go to this house. It’s a three story house, and the windows are rather dusty. And we go and peek in the windows; it feels like I peek in at all three levels. And when I look in at the top level, the window there, I can see all these tiny little mechanical people or things, you know, on a shelf there.

Then we go down and we go in the house, and I’m telling whoever’s with me that we should start at the top of the house, the room at the top of the house with the window cleaning. But first we have to go in. It’s probably part of getting permission, but I realize that actually the women that live in this house are witches. It’s not necessarily a negative term, it means you have to be a little careful.

So we go in and one of the sisters, or the witch that I kind of recognize as being more in charge, her room is the one on the top, and there’s a lot of things in this house. It’s kind of crowded. And so she takes us up there and I look up at the window and, like I said, on a self, a high shelf in the room right before the window are all these little tiny figures, and one of them is kind of a clown-like figure, a man. They’re only like a couple inches high.

As we go over and we’re setting down some things to look at the window, we’re probably going to start cleaning it from the outside or the inside, I don’t know, we’re just setting things up right now. I have a discussion with this woman that’s in charge of the house, because I realize this little Tin man is probably going to make his way down to where we are, and I realize that the issue is he’s a little bit addicted to juice. We must have some juice with us.

And so I’m looking at her to guide. Do we put out a little for him, or do we have to watch it and not set any water or juice down because he’ll come and take it? And at the same time in the back of my mind I’m just assessing that, when you’re in a house full of witches like this where things can kind of come alive and move around, you just have to be very careful with what you do.

John: So you dreamt, first of all, the fact that in the consequences of an outerness, the first part, which has to do with the line, or the tube and the block, has to do with how a cycle of orientation and creation is meant to quicken from just that of mere breath.

Yes, it’s created out of breath, but it goes back from breath. And it goes back into the total innerness which encompasses all that exists. The thing is, to do this from a top down approach, there are three or four steps and I was looking to see if you would describe more than one. In other words, first of all it’s recognized that the first step is not a step where you climb through the density of trying to figure things out in an outer context way, which is the way people are when they’re lost in time and space in the outer.

You work from the top down, and you work from cleaning things from inside to out, in a top down way, so that you develop a visibility experientially, vibrationally, of what it’s like to connect with the top down or inner coming into outer. But you have to be very, very careful because what stops and hinders most people is the innerness, if you catch up with it too quickly, is dangerous. It will throw you awry. It’s too witchy or something if it’s of a physical orientation.

The way I saw it is, the veils are such because of the degree of outer orientation, that you have to create the inflection that goes all the way through, you have to create this inflection so that the light bulb moment, so to speak, hits in subtle ways so that a person doesn’t get burned out or get overly affected.

The realm that is around this contained, controlled, or under the effect of what is considered witch-like energy is a realm in which you can have an aliveness that awakens between the inner and the outer. In other words, what gets cleaned in one sense almost becomes a question because in an outer context way you can have images, for example hypnagogic images, that are neither awake nor asleep – in the wee hours, we’ll say, of the morning. And there is a huge reconciliation of that, but is that too much juice? Is that something that you can then carry into the outer and bring through to the next step, and the next step, continuing to bring this down?

So what you’re doing is you’re pointing out how this works in a spatial way. It works kind of in a spatial orientation from top down, where what opens up is kind of an energetic that can even seem somewhat dangerous because you are able to reach through and beyond, to a certain degree, the domain of human limitations. And, in doing that, that’s dangerous because it’s witchy, and it’s also dangerous because you can get caught in that orientation.

That’s why things happen very, very slowly. You’re subjected to the intensity in a very, very subtle way. It’s not explained or pointed out to you too directly because you have to go through and absorptive process to keep coming down, and keep coming down, to hold all of that within life.

But to begin with, if you just got overly indulged in how it is, in terms of this directness of intensity of a quickening between the inner and the outer straightaway, you would set off a collateral effect, and not mean to do that, that would be inclined to blow up the potentiality straightaway.

So the inner coming into outer happens in a careful subtle way; that’s why we don’t have special rings, and special clothes, and any kind of notoriety because it’s not about that. It’s about this other just opening up as a natural flow – and not any hoopla about that natural flow. Any hoopla about that natural flow becomes the danger again.

So you’re dreaming the importance of this very, very first step, and you’re dreaming this first step in terms of its effect as an aspect upon the feminine domain of manifestation. You’re dreaming it as an awakening that touches life, but it’s hard to fully grasp the glimpse of it because it’s happening from a top down point that’s got all of the veils yet in place so that there isn’t the immediate overwhelm that would be too much.

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