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Posts Tagged ‘yin and yang’

gates-Robert A BaronIn this final image from a single night of dreaming, Jeane is again looking at a container scenario (for the prior images, see An Insatiable Motion and From Dense to Subtle). What she is shown is that the aspect of sorting and containing the multiple layers and aspects of life is an endless process. What is really meant to happen is a letting go of this desire, which will allow everything to come together naturally. (At the end of this post there are instructions and a link to download this recording to your computer.)

Jeane: So in this last dream, it’s like I’ve gone to a place in the country, and I’ve approached what almost looks like one of those container cars on a railroad, and nearby is a black man that I never see real clearly. 

He seems to be a guard, or he watches over a woman who comes and tends to hide out around this container. She hides out easily, and so he has to kind of keep an eye, or guard her. And it feels like I’ve left and I’ve come back because I wonder if this is still necessary, and like maybe something’s changed, and you don’t need to either worry about her hiding out, or running away, or whatever, but he’s still keeping an eye out.

John: Now you’re trying to slow it down into something that’s sidetracked, because actually that is a railroad car that is sitting out in the open, right?

Jeane: Or a container without a railroad car, one of the two.

John: Yeah, but it’s not something in motion or something. It’s not the layering going on anymore. Instead what there is, is it’s a condition that is being even safeguarded by an element of the masculine, which has to observe and make sure that what is copacetic, in terms of how it sits and how it is, is okay.

You must have been almost awake to dream that because that’s a much shallower image. That’s an image where there is a type of giving up. That’s an image where there’s a mannerism in which you’ve accepted a certain lot in life, and so you don’t probe the deeper levels, the other containers for each state, or you have the layering for each environmental differentiation that exists.

You don’t have that part of the process invoked. Instead you’re sitting as a singular container vibration in a given image, that’s kind of like out in the midwest, where nothing can be seen as far as the eye can see. And that there is the masculine energy that keeps it okay, so to speak, where you can park out and stay in this, where it’s safeguarded.

And so in this image you’re holding a particular level as if that’s all that there is. I suppose in the highest of levels, if you’re truly content, and truly at peace with yourself, maybe that somehow can open up.

Well, basically it has, inside of itself, all of the other layers and levels of things. It’s just that you’re not invoking that as something to be taken on at this time. Instead you’re content taking a particular selection or mannerism and being able to just be there.

You know this layering and these container levels, all of that stuff all speak of a type of process in which you go to the depths of yourself in order to scale the heights of something, too. In other words, for you to be able to go like in the one dream to the luxury department store and try on something really subtly sophisticated, has to do with you coming to grips and understanding the T-shirts and all of that, that’s at a depth inside of yourself from a layering standpoint of looking at it.

You have to have a comprehension of that in order to have the magnetism so that you’re able to hold the more subtle aspects of yourself – in the high end department store – that you now can try on this, that, and the other as additional levels and layers, layers again if it was putting on clothes, levels as if it’s a container ship that takes into account everything at a particular level.

I mean, this reminds one of the spiritual path where, like I say, it is said that you have to probe the depths of yourself. Or even of the Chinese psychology of Yin and Yang, where you have the two symbols that make a circle, and within each is either a black dot of something yet to be absolved and taken in and held, or a white dot of something yet to emerge and continue to come into a greater realization of what it is, through the prima materia or raw energy part of what is black.

And both are one in the same, actually, but just at different levels of vibration, at different, you might say, octaves or polarities to each other, but yet one and the same, flip sides of the same coin so to speak.

Well, you’re playing with all of this from an aspect of container energy, and what’s so interesting and different is, yes, it’s easier to try to cop out and maybe find a safe place where everything is A-okay and you have all of the protectives and whatnot there, but we don’t seem to be able to do that.

And so what we do is we make the easy mistake of going insatiably into the quest. I do it linearly in terms of having to try to take on every little nuance thing and experience that there is, in order to somehow know it and own it, and you do it in terms of knowing that there is a subjective container energy for every possible state that there is, and that you have to depict it level by level, or layer by layer. And that you can get lost in this approach, and not make the shift that is necessary to this emptiness and nothingness where it all can blur and blend and come together.

So your last image is like a type of choice that you make, because at some point it can be almost nauseating that you have to do all of these layerings, or that you have to have all of these different container vessels that have to be looked after and safeguarded.

In other words, something is dispatched to each one, which is like a type of the masculine, but still differentiated from level to level. At some point viewing life as a never-ending consequence of that is nauseating and endless, and yet at the same time there is some way of letting go.  

Because you’re letting go of things in order to grasp and be able to hear inside yourself this container subjectivity state, or nature, that you have for each state that you can possibly be in.

But can you then let go of that so that it all intertwines into the nothingness? That’s like the next challenge that’s in front of us.

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yinyang1Here John describes the process of being able to ground higher energies, thereby allowing them safe outplay into life. This requires a balance of the masculine and feminine principles within an individual. The masculine principle brings the seed thought, or energy, down, but it can only manifest through the grounding and containment of the feminine. One without the other is an incomplete process. (At the end of this post there are instructions and a link to download this recording to your computer.)

John: It’s kind of similar, if you think, to the principle of how meditation works. It’s a little bit along those lines. When you first start meditating your meditations are miserable, because just garbage is coming up – and more so than usual because you’re giving things permission to be like that.

So then when you reach a certain freedom, and you start exuding that freedom, on an energetic vibrational level, now you become a force of nature that is doing this to others, right out in the open, no meditation involved. You’re bringing something straightaway right into life.

So what happens is, a lot of people then get to thinking that they have to be a bit transcendent. Instead of bringing it down, they have to be more transcendent, and if you get more transcendent you can take yourself out of life, and you could become something that’s not relatable by others, because you are not finding the intertwined similitude that goes beyond the appearances of the physical.

You’re not submitting yourself to finding that, to touching that; paying the price of whatever that is. So the more you can be in the physical, the more grounded you can be, the more you can carry across this transcendent state, which is like the statement now of, feet on the ground head, in the heavens, or something.

You can actually marry those two states as a Oneness. Now, here’s the problem of marrying these two states as a Oneness. You have to now understand the core of feminine energy, and the core of masculine energy.

The core of masculine energy is to bring a seed thought, or a quality, down into life. And in order for it to come into life, it has to be embraced by the feminine principle of life. It has to be ushered in by the feminine principle of life, and the feminine principle of life knows manifestation in terms of how manifestation is.

And so when something new, as an idea or seed thought, is thrown at it, it used to be that that feminine principle was very receptive, but it’s learned to be a little leery. It’s been abused a lot, so it tends to have kind of a jaundiced eye about all of this, and it finds out that it’s appropriate for it to have a jaundiced eye because most of the time these ideas are cockamamie, three or four different ideas and all disjointed.

But the feminine principle that fully is able to surrender, and be at home in manifestation, can take the cockamamie ideas and make them sensible, because every vibration has a reality that has to live out. And they can bring it into manifestation. And when they bring it closer to manifestation, they’re taking this – what was raw energy – and they’re honing it so that it can see itself and be clear and become more real, more divine.

That’s what the feminine principle does with the masculine principle. What happens is, the masculine principle, in other words the seed thought or whatever, which is really divine in its purest essence, gets completely transformed in this process. It gets absorbed, totally absorbed in that process.

What happens to the feminine principle? To understand the feminine principle in terms of… in other words, what we’re trying to do is we’re trying to take this to the essence; making the essence statement in terms of the masculine. What does the essence statement of the feminine look like?

Well, you gain some clues more so from Chinese religion, or religions, the Tao or whatever, than you do from many other religions. At least I don’t know how to read it or understand it in other religions, but I understand the Yin/Yang principle and I understand this as expressed in the Oxnard pictures.

Now in the Yin/Yang principles you either have something that’s all dark with one white spot, or all white with one dark spot. And the Oxnard picture you see it put into a flow where it starts off with the black ox, and by the time young man becomes old man, the ox of his nature goes from black to white – except for the tip of the tail which is still black.

He never transforms the tip of the tail, because then he would have no manifestation then. So what I was looking at inside of myself was, how do I deal with certain energetics?

The masculine goes along and he learns to accept certain feminine ways of being because there’s a lot of quality to that, but there also is always a little subtle limitation. And a masculine that’s closer to the essence knows how to shatter the feminine, knows where he could say something that would just be devastating.

And he will not go there. He knows better because he knows, okay, she may be like that, she may carry herself like that, but even though she’s like that, along with this are all of these other good qualities. So you take and you shatter this, what are you going to have? You’re going to obliterate manifestation.

You’re going to have something that’s just going to go berserk. It’s going to go and lose its mind so to speak. The masculine never goes beyond a particular point. In other words, the masculine can take and bring everything down and have it rendered into soft as wool or whatever; just meaning something would appear.

The feminine can embrace everything, but because she’s charged with manifestation, there’s a point at which she has to still hold something – so that there’s manifestation. It can’t go completely poof.

That final step is like an extraction then, when it goes away for her. It’s not like she transforms that herself, but she’s liberated from having to continue to carry that responsibility. That’s how I saw that.

What’s interesting is what I’m now doing is, I’m putting this into a process like we were talking about earlier, which has to do with this energy as it speeds up, as you have a certain quality about you. The feminine, when it has this quality about her, can say and can do things that can effectuate a change much, much faster than the masculine.

The masculine will have to do it in 20 words. The feminine can do it with just a gesture almost, or just a couple of words – but much more grounded, much more rooted, and much closer to manifestation. So when this quality gets accentuated and you get really close to this epitome of things, magic is really afoot.

No wonder the Catholic Church is so frightened of the feminine coming in to her mysteries. The masculine raw energy, this is what it means by the prima materia. That gets all transformed. There’s the substance from which something new is made, and that substance coming down shifts and changes life.

So the masculine can catch up with the speed sense, of which I see this happening in the morning. And then I can go down and I can affect all kinds of things that I run into, in terms of people and such; I see this in all kinds of ways.

Those that can be fluid find it interesting and grasp it and roll and open up. But wherever there is a degree of power of control, you see this impingement hitting, and if the power and control is really harsh, they have to walk away, or they have to fight, or they have to plot against you, as if you are a force to be reckoned with, and generate a kind of fear in them, as their defense mechanism.

But each person is different.

 

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atomIn our last post, Jeane’s dreams brought her close, but not all the way, to an inner breakthrough.

Here, John’s dreams, from the same night, provide the missing answer. What unfolds is, no less, the nature of the human’s relationship, and responsibility, to the evolution of creation.

 

(At the end of this post there are instructions and a link to download this recording to your computer.)

John: I don’t report the overall, I just report how it spiritually works.

My first dream is incomplete, but sets the stage in kind of a masculine way of approaching things, because you are approaching it in a feminine way where something just needed to evolve to a point that would create a cadence and a balance.

And I was listening closely to see what the characteristics of that would be, in terms of how that would evolve for the cadence and balance. Instead, you built it up to a loud suspense, which is a type of longing. The dream has a type of longing in it that eventually pulls to the resolution.

Mine carries a particular download, but in order for the download to work it requires the overallness. The first dream doesn’t catch up with it, but it lays the stage to where the second stage, just like you dreamt in stages and you actually needed a third step in your dream. I just have two steps.

In the first dream, my flight that I’m on has taken me to an in-between place where I’m held up, and have been held up for quite some time. In other words, it’s like I flew in on an airplane and landed at this particular place. It took me a long time to go through the clearance of that, and finally, when I’m released, that’s when I realize I have to hustle or I will miss my next flight connection, which is very tight. And that connection is not in this place.

What I have to do is walk a distance over between two points, over land, from this quasi-like airport clearance place, to a whole other airport or spot, and get checked in there. So I go over the outer trail and as I get near to the place, there is kind of a glass partition I have to walk around, and, as I’m arriving there, I hear the announcement that passengers on this flight need to be here.

It’s as if they’re saying that it’s now too late, that their seats can be given away or whatever because they needed to be here by now. But my transportation has not yet departed. I see myself just needing to get around the partition, across the street, and then find out if it’s still possible that they can slip me on board, or if I am just a tad too late and they’ve closed everything, closed the gate.

But in the dream, I’m confident that this is going to work out, but I can’t seem to hurry over a particular pace because I have to hold a certain cadence. I’m close, but all I can do is to hold the composure and see how it works out.

What it means is, as things change, in this dream I’m having to watch my composure, among other things, and I’m confronted with changes that, from inside, destroy that sort of demeanor presence.

I’m watching the changes from inside, but what is occurring around me can set me astray or destroy the certain demeanor presence that I need to maintain, or otherwise you flip out, you give up.

So this is a dream that’s testing me to see if I can maintain my composure in spite of the outer circumstances. I know that what is important is that connection within, and not the reflection of the changes in the outer variables. And so I am to hold onto the inner consciousness and, even as the outer changes, I need to simply accept the changes as part of a process that creation emanates.

And in doing so, I just have to know that everything about myself has been taken into consideration by this deep-seated inner consciousness, so whatever unfolds is as it is intended to be. So as you can see, this does not yet reach an answer. And so I come back to it and I say, there is something yet that is overlooked in terms of what is to happen.

The next dream goes into the depth of that matter, just like your dream went to a stage, and then you went to a middle stage. I don’t have the middle stage.

In the next dream, there is a mixture that is needed, that rectifies a problem that exists. Something has changed and the responsibility falls upon my family.

In the dream, I am a kid who is observing the stress that this has created. And I had my idea as a kid, and it’s to use a liquid mixture to add to what is being cooked, or whatever it is that’s being mixed together, as if that’s going to resolve what is needed. This is my best idea as a kid.

My dad, who has anticipated the problem and is very focused and intense, pulls out a product he has saved for just this occasion. It is kept in a freezer and frozen for just this point in time. I climb around him in an over eager condition. In his seriousness he pushes me away so that I don’t effect what he’s doing. This stifles my euphoria.

What he has set aside is a frozen mixture that is to be unsealed and poured into the mix to change the composition.

The meaning of this dream, this has a very deep meaning, is there is a problem in the collective outer that was caused by the way things have evolved over time. My idea to simply change the flow is not enough. Something that my father has saved for just this point in time needs to be applied.

I am like a child shocked at the intensity my father resonates. When he settles me down, I watch him take a frozen mixture designed to change the context of the situation. I’m not mature enough to see this yet, but I am linked through my father to what is needed at this moment in time.

To appreciate what is taking place I need to lose my giddiness, and settle back, and watch the process unfold from a depth of rootedness I have not realized. My chance lacked the required maturity; what I had in mind wasn’t developed enough. A greater depth in creation, combined with an inner sight, is what needs to come together.

That which comes down from above touches the frozen depth of creation, and these extremes awaken the whole. What this image is suggesting is that the formula needed to create the change needed in creation is imbedded in a consciousness that is able to work with frozen matter, in other words able to work in matter, and with matter.

This is how the “as above, so below” principle between creator/creation works. God has hidden Himself in creation and man is the link that brings the expanse and contraction forward, as the next step in evolution. See, we got the answer.

In your dream what you were doing is you got all the way up to the point where you had the crescendo, and it probably was kind of harder in your case because this is how you are: you have to take in the expanse. But then something didn’t break into the expanse as the final step.

Your first part identified kind of that something had to be done. Your second part had you kind of ignoring it, and then all of a sudden getting it and realizing the gravity of the situation, but not yet able to act yet, so the intensity built in that. And then you needed a third dream which would have been interesting to see how close that would have come to just what happened here.

The new information that this dream is suggesting, is that if it’s “as above, so below” means that something above is no different than something below, and therefore you’re to understand that in the end the lower self and the higher self come together as One. Then there’s something wrong with the idea that there is a higher self that is separate from the lower self, that in the totality of things they are one and the same.

It’s easy to draw the conclusion that when something is more speeded up and operates and functions on a higher, greater level of existence in terms of the universe of things, the God head of things, that that makes it more in keeping with a process that needs to unfold – as if man has to completely reconnoiter to that.

If that’s the case, then you don’t have an “as above, so below,” do you? You instead have something down here needing to evolve to something else and, if that is so, then you really don’t have a Oneness at all.

In other words, the Oneness is hidden at this point in time, and the Oneness isn’t put together by the fact that you cobble pieces together. The Oneness is always the Oneness. It’s just that it’s unconscious or dormant.

What this dream is saying is that, it incorporates a Chinese understanding even that in terms of Yin and Yang, the greater the darkness, the greater the light, the greater the light, the greater the darkness. They work hand in hand.

In order for something conscious to come through, as if it’s coming through from above, the extreme density of something in creation has to receive it. In other words, the higher you scale something, the deeper you probe something. Existence is everything in the microcosm. The macrocosm is hidden in the microcosm.

And so if you incorporate the principle that God has hidden Himself in the human heart, and that man is the catalyst for something to awaken, and everyone is sitting back acting like big Father is going to come storming to the rescue, they’re getting it all wrong.

The answer, the solution, is hidden within man, within the depths of the heart of man. And man has to go to an even greater depth within. Everything can be changed, everything can be corrected, everything that happens is fixable in terms of the inflection of how it is, but it requires man to go more into the microcosm of the density of himself.

In other words, as a child way of looking at it, you might think you could change the tone or the mood or the manner of what is unfolding, in other words, apply a different flow to it, which is more liquid. But no, that’s apparent, that’s obvious, and everyone has their ideas on how that could work, and as a kid my idea is my idea. But no, you have to go to a greater depth.

There is no giddiness involved. This isn’t that simple. You have to go deeper, and that depth that’s deeper, is deeper within the depths of one’s self, just like when you’re transforming and changing the mannerisms of things and traits and characteristics of you that keep you from becoming awakened.

You do that by going to the depths of yourself. The same process applies, because it’s always macrocosm/microcosm kind of reflecting each other, as above, so below. So in order to effectuate the change that needs to occur in any kind of issue in the world, it’s not like “as above” has got it right; it’s always within the microcosm as well.

And so if the microcosm is off, the macrocosm and the work that is done there, isn’t in cohesion either, so you have to go into the depths of yourself. The depths of yourself is like a frozenness. You have to go in to such a degree of that, but no one has done that. That’s what surprises me.

I have to just sit and watch because it’s a depth of my consciousness and development. I’m linked to that which actually does know. It’s in the blood, so to speak. It’s in the family, but the thing that bothers me about it is, I’m still not comfortable with how serious this was, in terms of my father’s seriousness, because I clamored into the situation as if I wanted to even open this thing and whatnot and had to be settled and pushed back a bit, because the exacting of this was quite a serious kind of thing. That, I guess, exemplified the fact that it wasn’t holding the energy.

You have to hold the energy. It’s hard to hold something in its density, and something in its sheer density actually can almost suck the light out it. It’s like a black hole, and yet you have this paradox where something as a light in its expanse has to work simultaneously with something as a density, which is like a black hole that can suck the light out, in order for there to be a Wholeness or breakthrough.

Science has discovered that the universe explains all of this. In other words, you have stars blowing up and something creating an expanse, and then you have what’s known as a dark hole that eats up the matter. It just kind of goes in, or it just goes into this black hole and gets really, really, really dense again, and you have these two characteristics going side by side.

Actually, that’s what’s going on with mankind. He has within him the radiance of the stars in the universe and, at the same time, he has the density of all of that compacted as one can get. And that’s why science, if they really want to understand something, they don’t need to try to explore the universe. They can just explore the matter, the atom, and that’s why science has discovered that if you take an atom and you really study it you can find everything in existence in the universe all housed in a single atom.

The atom has light. It has an incredible amount of power that can blow everything to smithereens if you were able to open it up and tap it properly. That’s what nuclear fusion and fission and all of that’s about. It has that vibration that is absolutely all-encompassing. It has the sound. It has everything in life that exists, all within an atom.

And so if you’re trying to take something that’s totally expansive and beyond the comprehension in terms of the outer expanse, and you’re trying to fix something that has gone awry in between, you have to go into the depth of matter itself in order for this to work. That’s kind of what the dream is portraying.

And what you were trying to do is you were trying to catch up with how the Wholeness of that feels, and you came up to a certain crescendo very loudly and disturbingly, with a type of suspense that is akin to a longing, but you hadn’t broken through in terms of how it is that you’re supposed to be able to feel this in its expanse.

How you feel that in its expanse is the answer, or resolution, in terms of the feminine principle of holding creation, holding the above all the way down through into creation.

The paradox again if as above, so below, is that that there’s nothing any different up above than there is down below and that the answer is all here just like the answer is all there somewhere else. And if the answer’s confusing here, it’s confusing there.

If there’s a big step that has to be taken, the big step is that something at the depth of how it all works, in terms of how matter is, has yet to be brought forward. That there’s a certain way of going into matter that then effectuates the change that is needed. As long as one is doodling on the surface, and doing things that disturb the matter, but don’t know how to take on a greater responsibility of what’s embedded, as a quality and a trait in matter, you’re not cutting the grade.

Everything has a divinity in it, and that divinity connects to the creator. But man’s consciousness, with his freedom of choice, has kept Her from going into the depths of the matter of things, and he’s been charged with that as a role responsibility. If he can catch up, and if he can do that, then he has actually truly become what he’s intended to be, the Crown of Creation, and is able to connect all of the worlds together – through the microcosm.

It can’t be done in the macrocosm either, because it’s just too expansive. And maybe it can’t be done in the microcosm because it’s just too minute, and too dense. But there lies the paradox. It has to be done with the both of them simultaneously – and then you get the Oneness, and all of the levels open up as a consequence if you do do it.
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